[JPL] programming new music
Bill Anschell
billanschell at mindspring.com
Sat Jul 28 15:40:19 EDT 2007
I'd like to add one other point on the subject of programming new
music versus old, and the related question of using audience surveys
to shape a station's direction.
Isn't a public radio station - in order to get the various "perks" of
nonprofit status (e.g., not paying taxes, having listener
contributions and other donations qualify as tax-deductible, etc.) -
required to define itself in large part as serving an educational
function? That is my understanding; correct me if I'm wrong.
Polling potential audiences to see what they'd like played is the
exact opposite of educating them; instead it's following their tastes
to pursue the largest possible numbers. Kind of like a commercial
station, but with the nonprofit advantages. No surprise that people
would like to hear music that's already familiar to them, but how is
this consistent with a public radio station's charter?
I'm just asking...
--Bill Anschell
On Jul 28, 2007, at 1:02 AM, jazzproglist-request at jazzweek.com wrote:
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> This Week's JPL Sponsor: Lisa Hilton ''The New York Sessions''
>
> For pianist and producer Lisa Hilton's latest recording, ''The New
> York Sessions'', Hilton assembled a group of true jazz royalty,
> but it took a little bit of luck. Hilton recalls meeting trumpeter
> Jeremy Pelt: ''We chatted at Dizzy's in Manhattan, and later when I
> asked him to record, he remembered me and agreed to play, along
> with drummer Lewis Nash. Recording on a Sunday and Monday, also
> allowed Hilton to work with in-demand bassist Christian McBride,
> and Steve Wilson on sax. ''These musicians, and my engineer, Al
> Schmitt, are the best: they are a 'Dream Team''', Hilton comments,
> ''and the music sounds terrific.'' ''The New York Sessions'' has an
> August release date with Koch Distribution.
>
> +++++++++++++++++++++++++++++++
>
>
>
> +++++++++++++++++++++++++++++++
>
>
>
> Today's Topics:
>
> 1. OUT OF OFFICE (tobias at obliqsound.com)
> 2. Jazz with Don Gordon KIPO 7/26/07 (dongordon at hawaii.rr.com)
> 3. Collection pays tribute to local jazz producer Orrin Keepnews
> (Jazz Promo Services)
> 4. King Oliver in the Groove(s) By NAT HENTOFF (Jazz Promo
> Services)
> 5. dead vs. live musicians (Hudson, B.H.)
> 6. New Music - it's not enough to just tend the eternal flame -
> we must also bear the standard for the future
> (mfa - jazz radio promotion & publicity)
> 7. Lalo Schifrin (Joanne Paratore)
> 8. dissapointing reccomendation, slightly off topic (Arturo)
> 9. Re: New Music (POWDERSPAM at aol.com)
> 10. Sekou Sundiata, 1948?2007...Vernon Reid remembers the seminal
> black artist and activist (r durfee)
> 11. Re: New Music - it's not enough to just tend the eternal
> flame - we mus... (OntheBeach at aol.com)
> 12. PLAYLIST J & B TOUR Special Edition for July 31 with
> ASFM105.4 in The Netherlands (Joost van Steen)
> 13. Re: Playlist - KIPO 89.3 FM - Honolulu, Hawaii (Ray Cruz)
> 14. Re: Lalo Schifrin (Tom Mallison)
> 15. New Music - Ricky made some excellent points... (Mitchell
> Feldman)
> 16. Don's Picks - KPIPO - 7/27/07 (Don Gordon)
> 17. Re: New Music - Ricky made some excellent points...
> (Peter Solomon)
> 18. Re: New Music - Ricky made some excellent points... (Ed
> Trefzger)
> 19. Re: New Music - Ricky made some excellent points... (Len Dobbin)
> 20. Re: dissapointing reccomendation, slightly off topic (Paul
> Combs)
> 21. PLAYLIST: WNMC Friday Afternoon Jazz 7/27/07
> (Thomas M. "Biz" Bisard)
> 22. RE: New Music - Ricky made some excellent points... (Nick
> Francis)
> 23. Playlist: WCVE-FM Jazz Friday July 27, 2007 (Peter Solomon)
> 24. Re: New Music - Ricky made some excellent points... (louisx)
> 25. KRFC FT COLLINS - The 07/27/07 "PlayList" of Peter L. Poses,
> Host of "OverNight Jazz: The Soundz Of Surprize" ---
> www.krfcfm.org (Peter Poses)
> 26. JzFmS4 PLAYLIST, WGBH, Boston 7/27/07 (Steve Schwartz)
> 27. PLAYLIST: WRIR "Bebop & Beyond with Mr Jazz" 7-22-07 (Giz Bowe)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: 27 Jul 2007 03:00:35 -0500
> From: tobias at obliqsound.com
> Subject: [JPL] OUT OF OFFICE
> To: jazzproglist at jazzweek.com
> Message-ID: <20070727080035.11475.qmail at 125893-www2.camillo.it>
> Content-Type: text/plain; charset="UTF-8"
>
> I'm currently in Switzerland. Please call me on my mobile if needed
> +41.76.528.8972
>
> If you need immediate attention, please contact the ObliqSound office
> +1.212.274.8640
>
> Kind Regards,
>
> Tobias Tanner
>
>
>
>
> ------------------------------
>
> Message: 2
> Date: Thu, 26 Jul 2007 23:50:26 -1000
> From: dongordon at hawaii.rr.com
> Subject: [JPL] Jazz with Don Gordon KIPO 7/26/07
> To: Jazzproglist at jazzweek.com
> Message-ID: <fe82f9ac17801.17801fe82f9ac at socal.rr.com>
> Content-Type: text/plain; charset=windows-1252
>
> Jazz with Don Gordon
> KIPO – Honolulu – Wednesday July 25, 2007
> 8:00pm – Midnight
> Please direct CD’s for airplay consideration to:
> Don Gordon
> KIPO
> 738 Keheka Street
> Honolulu, HI 96814
> www.dongordon.net
>
> 8:00pm
> Vince Norman-Joe McCarthy – Words Cannot Express – South Of
> Capricorn – (OA2)
> Emily Remler – This Is Me – “E” Samba – (Justice)
> Peter Horvath – Foreign Matter – Something For Now – (Lake Street)
> Diane Schuur – Love Walked In – Nothing Ever Changes My Love For You –
> (grp)
> *Down To The Bone – Supercharged – Supercharged – (Narada Jazz)
> Lee Ritenour – Color Rit – Color Rit – (grp)
> *Keiko Matsui – Moyo – After The Rain – (Shout)
> *Charles Earland – Funky Organ – My Blues Is Funky – (HighNote)
> *Mulgrew Miller – Live At Kennedy Center Vol. 2 – Song For Darnell –
> (MaxJazz)
> 9:00pm
> Don Menza – Menza Lines – T ‘n’ T – (Jazzed Media)
> *Onaje Allan Gumbs – Sack Full Of Dreams – Up Jumped Spring – (18th &
> Vine)
> Scott Hamilton – Live In London – The Squirrel – (Concord)
> * Jimmy Ponder – Somebody’s Child – Too Late Now – (HighNote)
> Stéphane Grappelli – Timeless – You Are The Sunshine Of My Life –
> (Savoy)
> Stan Getz – Apasionado – Midnight Ride – (A&M)
> Don Friedman – Hot House – 35 West 4th Street – (Chiaroscuro)
> 10:00pm
> *Knoxville Jazz Orchestra – Blues Man From Memphis – New York – (Blue
> Canoe)
> Count Basie – For The First Time – Blues In The Alley – (Pablo)
> *Reuben Wilson – The Godfathers Of Groove – My Father’s Song – (18th &
> Vine)
> *Pat Metheny/Brad Mehldau – Metheny Mehldau Quartet – Long Before –
> (Nonesuch)
> *Akiko Tsuruga – Sweet And Funky – Sweet And Lovely – (18th & Vine)
> Cesar Camargo Mariano – Natural – O Nosso Amor – (Philips)
> Jose Marino – Velas – Ilha Dos Frades – (Voss)
> John Pizzarelli – Bossa Nova – Desafinado and Aquelas Coisas Todas –
> (Telarc
> 11:00pm
> Rob McConnell – Even Canadians Get the Blues – The Shuffle Boogie
> Swamp Groove Blue – (Concord)
> Keith Jarrett – At The Blue Note – Days Of Wine And Roses – (ECM)
> *Rob Van Kreeveld – Jazz At The Concertgebouw – When Lights Are Low –
> (Radio Nederland)
> *Rob Van Bavel – Jazz At The Concertgebouw – The End Of A Love
> Affair –
> (Radio Nederland)
> *Frank Morgan – A Night In The Life – On Green Dolphin Street –
> (HighNote)
> *Fred Hersch – Night & The Music – Change Partners – (Palmetto)
>
> *Indicates recent release
>
>
>
> ------------------------------
>
> Message: 3
> Date: Fri, 27 Jul 2007 08:18:17 -0400
> From: Jazz Promo Services <jazzpromo at earthlink.net>
> Subject: [JPL] Collection pays tribute to local jazz producer Orrin
> Keepnews
> To: "jazzproglist at jazzweek.com" <jazzproglist at jazzweek.com>
> Message-ID: <C2CF5AC9.C8D39%jazzpromo at earthlink.net>
> Content-Type: text/plain; charset="ISO-8859-1"
>
> http://www.insidebayarea.com/bayarealiving/ci_6467953
>
> Collection pays tribute to local jazz producer Orrin Keepnews
> By Jim Harrington, STAFF WRITER
> Inside Bay Area
>
> Article Last Updated:07/26/2007 10:07:49 AM PDT
> The five grammy awards, including the Recording Academy's coveted
> Trustees
> trophy given in 2004, are the first things one notices upon taking
> a seat in
> Orrin Keepnews' living room.
> The very next thing is the impressive collection of records ‹
> vintage vinyl
> platters from an age when jazz music truly mattered. The bountiful
> assortment offers more than just some of the finest music in American
> history. The collection also tells Keepnews' own story ‹ one that
> has been
> carved from more than 55 years in the music business.
> To jazz fans, the 84-year-old El Cerrito resident is nothing short
> of a
> legend ‹ an exalted record producer who has had a hand in numerous
> landmark
> jazz releases. His resume includes working with such key jazz
> figures as
> Thelonious Monk, Bill Evans, Art Blakey, Wes Montgomery and Kenny
> Dorham.
> He's also known for having run two of the more storied independent
> jazz
> labels in history ‹ Riverside and Milestone.
> Although he has every reason to rest on his laurels, Keepnews has
> taken a
> different approach to his golden years. He's staying busy in the
> business,
> currently devoting his time and energy to a major new reissue
> campaign for
> Concord Records.
> Concord definitely got the right man for the job ‹ it is, after
> all, titled
> the "Keepnews Collection." The series spotlights classic albums
> from the
> producer's oeuvre, all gussied
> up and made more palatable for contemporary tastes thanks to a 24-bit
> remastering job on the original studio tapes.
> Keepnews, fittingly, is in charge here. He's responsible for
> everything from
> selecting the material to writing the new liner notes, which he
> says, for
> the record business, translates to "a damn free hand for making my
> choices."
> "It's a rare set of circumstances ‹ you pick the albums you want to
> put out,
> you write what you want about them," he says. "I'm damn near spoiled."
> Thus far, there have been 10 releases in the "Keepnews Collection."
> The most
> recent batch includes Bill Evans' "Everybody Digs Bill Evans,"
> Flora Purim's
> "Butterfly Dreams" and Art Blakey and the Jazz Messengers'
> "Caravan." These
> are all important albums to Keepnews, which is why he is so
> thrilled to be
> the one in charge of their reissuing.
> "I still feel very much like these are my children," he says. "I
> like being
> in the position to watch over them."
> Into the deep end
> Born March 2, 1923 into a non-musical family living in the Bronx,
> Keepnews'
> earliest memories of jazz include listening to big band swing on
> the radio.
> As a teen, he began frequenting the type of New York City clubs
> that didn't
> charge a week's pay for admission and drinks ‹ which, as luck would
> have it,
> were also the places where jazz was being performed.
> "I didn't go there for the music, but the music was there, and the
> music got
> me," he recalls.
> But Uncle Sam got him, too. After graduating from Columbia
> University in
> 1943 with a degree in English, Keepnews joined the war effort and
> spent two
> years fighting overseas. He returned to Columbia in 1946, where he
> finished
> up his graduate studies, and then began to pursue his interest in
> jazz.
> His first job in that realm was as the managing editor of Record
> Changer, a
> jazz magazine owned by fellow Columbia graduate Bill Grauer. In
> 1953, the
> twosome founded Riverside Records and initially focused on reissues
> (which
> were less expensive propositions than new recordings). Some of these
> included works by Louis Armstrong and Ma Rainey, which proved
> popular enough
> to convince the lads to try their luck with producing new studio
> efforts.
> Thus, Keepnews jumped into the fray, an unproven talent, and began
> producing
> some notable names.
> "It was really quite simple. If you say, 'I'm the producer,' and
> it's your
> label, who is going to tell you that you're wrong?" he reasons.
> "It's like
> the old adage of throwing a baby into the deep end of the pool. If he
> doesn't drown, he's learned to swim."
> And, indeed, it wasn't long before everything was moving along quite
> swimmingly. One of the team's first big breaks came in signing
> Thelonious
> Monk, who was just about to become arguably the most important jazz
> man on
> the planet, and then releasing the pianist's 1955 effort "Plays Duke
> Ellington." Other significant sets followed, including 1958's
> "Everybody
> Digs Bill Evans" and 1959's "The Cannonball Adderley Quintet in San
> Francisco."
> In a relatively short matter of time, Keepnews had risen to become
> one of
> the most respected jazz men in the business. Despite finding
> success, the
> name of the game had not changed. Keepnews remained first and
> foremost a
> jazz fan.
> "Almost everybody I recorded was someone who I had personal
> enthusiasm for,"
> he says. "Our motto was sell enough records to get enough money to
> do the
> next record."
> Way out West
> Keepnews' partner, Grauer, died unexpectedly in 1963, leaving
> behind a mass
> of debt. Not long after, Riverside went bankrupt, and Keepnews was
> forced to
> close the business.
> The producer started another New York City-based label, Milestone,
> in 1966.
> He was just in the process of establishing that label when Fantasy
> Records
> came into the picture. The Bay Area-based label, riding high on the
> success
> of the rock band Credence Clearwater Revival, decided to delve into
> the jazz
> world and bought a ton of classic jazz tapes, including the old
> Riverside
> catalog.
> Smartly, Fantasy's Saul Zaentz hired Keepnews as the caretaker for
> the jazz
> collection. Thus, Keepnews ‹ a lifelong New Yorker to that point ‹
> loaded up
> his belongings in 1972 and moved to the Golden State. He would
> settle in San
> Francisco, where he remained until relocating to the brave new
> world of El
> Cerrito in 2006. ("I didn't even know El Cerrito existed," he admits.)
> He had a happy run at Fantasy, taking care of the Riverside and
> Prestige
> catalogs, before finally leaving on good terms in 1980. In 1985, he
> launched
> his third independent label, Landmark Records.
> "What I proved to myself is that, even under the best
> circumstances, I'm not
> happy working for somebody else," he says.
> The 80s brought the dawn of the CD, as well as box sets and
> "complete works
> of" campaigns, and Keepnews' experience with reissues skyrocketed
> in value.
> Since then, he has spent much of his time working as a freelancer
> helping
> record labels mine the catalogs of such artists as Monk and Evans
> for more
> riches.
> "I didn't have any desk job, so I was able to take the time and
> effort for
> (these kinds of projects)," he says.
> And, now, he has his dream project ‹ shepherding his own signature
> "Keepnews
> Collection." He's greatly enjoying the work, especially writing the
> new
> 2,000- to 3,000-word liner notes, and seems incredibly positive
> about what
> the future might bring.
> "This particular set of assignments ‹ these lengthier liner notes ‹
> does
> seem to open up some floodgates," Keepnews says. "I'm beginning to
> think if
> I live long enough I might get my damn autobiography done yet."
> Write jazz critic Jim Harrington at
> jharrington at angnewspapers.com.
>
>
>
> ------------------------------
>
> Message: 4
> Date: Fri, 27 Jul 2007 08:21:38 -0400
> From: Jazz Promo Services <jazzpromo at earthlink.net>
> Subject: [JPL] King Oliver in the Groove(s) By NAT HENTOFF
> To: "jazzproglist at jazzweek.com" <jazzproglist at jazzweek.com>
> Message-ID: <C2CF5B92.C8D3A%jazzpromo at earthlink.net>
> Content-Type: text/plain; charset="ISO-8859-1"
>
> http://online.wsj.com/article/SB118532323897176964.html
>
> July 25, 2007
>
> MUSIC
>
>
> King Oliver in the Groove(s)
> By NAT HENTOFF
> July 25, 2007; Page D12
>
> When I was in my teens, reading about the storied sites of early
> jazz, I
> envied the Chicagoans of the 1920s who were hip enough to spend
> nights at
> the Lincoln Gardens café where King Oliver's Creole Jazz Band was in
> residence, recently joined by Oliver's young New Orleans protégé,
> Louis
> Armstrong. But the few recordings I could find sounded as if time
> had worn
> the music down and dim, including the clicks and scratches of those
> used
> early discs.
>
> Now, however, in a remarkable feat of sound restoration, "King
> Oliver/Off
> the Record: The Complete 1923 Jazz Band Re-
> Recordings" (archeophone.com,
> also at Amazon.com) makes it very clear to me why among the
> regulars in the
> audience back then were the young white jazz apprentices who --
> according to
> Lil Hardin (the pianist in the band) -- thronged to hear King Oliver's
> Creole Jazz Band whenever they played in Chicago:
>
>
> "They'd line up 10 deep in front of the stand -- Muggsy Spanier,
> Dave Tough,
> George Wettling -- listening intently. Then they'd talk to Joe
> Oliver and
> Louis." (Also among them were Eddie Condon and 14-year-old Benny
> Goodman.)
>
> Drummer George Wettling described the excitement in the club in
> "Hear Me
> Talkin' to Ya, Dover," a book published in 1955 that I co-edited
> with Nat
> Shapiro: "Joe would stand there, fingering his horn with his right
> hand and
> working his mute with his left, and how they would rock the place!
> Unless
> you were lucky enough [to be there], you can't imagine what swing
> they got."
>
> Now we can. David Sager (a recorded sound technician at the Library of
> Congress) and Doug Benson (a teacher and recording engineer at
> Montgomery
> College in Rockville, Md.) created their Off the Record label last
> year to
> bring King Oliver's Creole Band back to life. Working on rare original
> recordings supplied by collectors, Mr. Benson, writes his partner,
> "began to
> capture onto the digital domain clean, smooth transfers of the
> discs, using
> a wide array of styli." The actual music was deep in the original
> grooves --
> though until now poorly reissued and reproduced. The 1923 sounds
> had to be
> excavated.
>
> While there were distinctive soloists in the band -- clarinetist
> Johnny
> Dodds, trombonist Honore Dutrey and, of course, the leader and the
> newcomer
> from New Orleans who would eventually swing the world -- this was
> essentially a dance band.
>
> In his exceptionally instructive notes, Mr. Sager explains: "That
> the Oliver
> band's sound was replete with marvelous invention, and a superior
> 'hot'
> sound, was the added premium. The principle, however, was rhythm."
>
> Joe Oliver never had to announce the next number. As trombonist
> Preston
> Jackson recalled, "He would play two or three bars, stomp twice, and
> everybody would start playing, sharing with the dancers the good
> time they
> were having."
>
> "After they would knock everybody out with about forty minutes of
> 'High
> Society,'" Wettling said, "Joe would look down at me, wink, and
> then say,
> 'Hotter than a forty-five.'"
>
> Years later, I would hear from musicians who had been at the
> Lincoln Gardens
> about the always startling, simultaneous "hot breaks" Armstrong and
> Oliver
> played. (A "break" is when the rhythm section stops and one or more
> horns
> electrify the audience for a couple of measures.)
>
> Among the 37 numbers in the two-disc set, these legendary "breaks"
> can be
> heard on "Snake Rag," "Weatherbird Rags," "The Southern Stomps,"
> and "I
> Ain't Gonna Tell Nobody."
>
> Energized by joining the players and dancers at Lincoln Gardens, I
> remembered a night long ago at Preservation Hall in New Orleans
> where, in
> another "hot" dance band, trombonist Jim Robinson lifted me into
> joy. What
> Oliver and Armstrong brought from New Orleans to Chicago, and then
> to the
> rest of the planet, exemplified how Robinson also felt about his
> New Orleans
> birthright: "I enjoy playing for people that are happy. If everyone
> is in a
> frisky spirit, the spirit gets into me and I can make my trombone
> sing. If
> my music makes people happy, I will try to do more. It gives me a
> warm heart
> and that gets into my music." Oliver and Armstrong felt the same way.
>
> Since the members of King Oliver's Creole Jazz Band were driven by the
> desire to keep the dancers and themselves happy, hearing them as
> they were
> at Lincoln Gardens provides a keener understanding that this music
> began in
> the intersecting rhythms of the musicians and the dancers' pleasure.
>
> And in all the different forms jazz has taken since, when it ain't got
> somewhere that makes-you-want-to-move swing, it may impress some
> critics
> with its cutting-edge adventurousness, but it's not likely to make
> anyone
> shout -- as King Oliver's banjoist, Bill Johnson, did one night at
> Lincoln
> Gardens -- "Oh play that thing!"
>
> In his deeply researched article on King Oliver in the Summer 2007
> issue of
> the invaluable American Legacy: The Magazine of African-American
> Life and
> Culture, Peter Gerler notes that after Lincoln Gardens was
> destroyed in a
> fire on Christmas Eve, 1924, Joe Oliver brought a new band, the
> Dixieland
> Syncopaters, into the Plantation Café, which like Lincoln Gardens
> "was a
> 'black-and-tan' club, where crowds of blacks and whites mingled,
> danced, and
> enjoyed the music of top black bands." A Variety review of the new
> King
> Oliver band exclaimed: "If you haven't heard Oliver and his boys, you
> haven't heard real jazz. . . . You dance calmly for a while, trying
> to fight
> it, and then you succumb completely."
>
> Now that Messrs. Sager and Benson have brought us inside the Lincoln
> Gardens, their coming attractions on their Off the Record label
> include 1922
> recordings by Kid Ory, the New Orleans king of the "tailgate
> trombone"; long
> unavailable sessions by Clarence Williams's Blue Five (with Louis
> Armstrong
> and Sidney Bechet); and the classic Bix Beiderbecke sides on the
> Gennett
> label. There are more to come.
>
> Messrs. Benson and Sager have been friends since junior high
> school, where
> both played in the trombone section of the school band. Mr. Benson
> also
> plays bass and piano, and is a composer and arranger. They have now
> parlayed
> their lifelong enthusiasm for this music into a permanent sound
> library of
> historic jazz performances freshly retrieved from inside the original
> grooves.
>
> With regard to what's ahead on their label, Mr. Sager says eagerly:
> "It will
> be interesting to see what technology enables us to do in the
> coming years."
> I yearn to listen to Bix Beiderbecke directly, so I can hear what
> Louis
> Armstrong heard: "You take a man with a pure tone like Bix's and no
> matter
> how loud the other fellows may be blowing, that pure tone will cut
> through
> it all."
>
> Mr. Hentoff writes about jazz for the Journal.
>
> URL for this article:
> http://online.wsj.com/article/SB118532323897176964.html
>
>
> ------------------------------
>
> Message: 5
> Date: Fri, 27 Jul 2007 09:01:45 -0400
> From: "Hudson, B.H." <bhhudson at NCCU.EDU>
> Subject: [JPL] dead vs. live musicians
> To: Jazz Programmers Mailing List <jazzproglist at jazzweek.com>
> Message-ID:
> <7897117F9A765C439A8F8DE8C1C14474BFE1A792 at exch-mb1.AD.NCCU.EDU>
> Content-Type: text/plain; charset="us-ascii"
>
> Looking at the responses to nick's question about classic versus
> new music, it reminds me to encourage everyone to attend jazz
> conferences so we can all have a discussion about what does and
> doesn't work for regional/local markets, etc. With jazz audiences
> showing shrinking numbers, we need to put our heads together and
> see if we can turn that around.
>
> I learn allot every time I talk to other programmers about their
> programming philosophies and designed playlists.
>
> Putting together a good program requires a knowledgeable host who
> can get information across without being boring or bogged down with
> too much information and a host who understands the art of the set.
> It seems that the more conservative, lots of classics in the
> playlist bring in more listeners, no matter where you are or what
> time of day you play jazz.
>
> But I fall on the side of mixing fewer classics with a greater
> number of new CD tracks per hour, mainly because dead guys don't
> have to pay the rent. It is really important to be very mindful of
> the actual sound you create per set. Flow can make or break your
> sound no matter who you choose to play.
>
> I notice from the playlists published on the list that many DJs
> play 3 or 4 guitar players, 3 or 4 coltranes in a row, 3 or 4 of
> the same artist, and so on in the same hour. Variety is something
> most jazz listeners prefer, according to the Walrus Research study
> on jazz listeners. So I wonder if this is a best practice ?
>
> We strive to play as many artists as possible, whether dead or
> alive. We mix it up, offering music from different eras and styles
> as well. Seems to work for the most part. It is all about the art
> of the set and audience preference (over DJ preference) in the end.
>
> We also have done member surveys for music preferences and we
> learned allot from that and made a few adjustments to our playlist.
>
> Here is the link to walrus research which did a great jazz survey
> in 2004.
> http://www.walrusresearch.com/
>
> BH Hudson
> WNCU
>
>
>
> ------------------------------
>
> Message: 6
> Date: Fri, 27 Jul 2007 10:39:52 -0400
> From: mfa - jazz radio promotion & publicity
> <MitchellFeldmanAssociates at Comcast.net>
> Subject: [JPL] New Music - it's not enough to just tend the eternal
> flame - we must also bear the standard for the future
> To: Jazzweek <jazzproglist at jazzweek.com>
> Message-ID: <73BFA110-E932-4FEB-AD48-ACF201909CA7 at Comcast.net>
> Content-Type: text/plain; charset=ISO-8859-1; delsp=yes; format=flowed
>
> [JPL] New Music
>
> Nick Francis nfrancis at kplu.org
> Thu Jul 26 11:41:02 EDT 2007
>
> Why does everyone play so much new music?
>
> Nick Francis - KPLU Music Director
> _________________________________________________________________
>
>
> I have to say that taken in its context, the fact that the question
> above -- clearly posed in all sincerity -- was posted by the music
> director of an important major market jazz station is one of the
> scariest, saddest, naïve and incredulous things I've ever read on
> this forum!
>
> We all know programming is affected by demographic factors and
> financial concerns but comments like Jae's about new generations
> keeping the music alive and Bobby's about being able to play music by
> living artists that might visit his station's market are just 2 of
> the reasons to play new music. And I am not looking at this question
> from the perspective of a jazz radio promoter whose livelihood
> depends on working new music. I am looking at it as a DJ in an area
> (the State of Georgia) where outside Atlanta and Savannah very little
> live jazz is heard. I do a 3-hour program and usually play 100% new
> releases (perhaps my playlists are included in the ones Nick has
> read) - it is broadcast on 16 stations located in coastal, mountain,
> agricultural and other regions of the state where it would be
> impossible otherwise to have a clue (other than, of course, listening
> online or to satellite radio) about the current state of the art form
> known as jazz.
>
> We're not only keepers of an eternal flame but also bearers of the
> standard that heralds the future. Not featuring both current and
> archival jazz in one's programming is a disservice to the music, its
> audience and its legacy.
>
> Mitchell
>
> PS - I might be shooting myself in the foot here as far as getting my
> clients' music programmed at KPLU in the future but I figured it was
> worth the risk considering that in the 3+ years I've been doing jazz
> radio promotion the only way anything I track has been heard by that
> station's audience is on Jim Wilke's show (can you imagine what "Jazz
> After Hours" -- which provides an important service by exposing a
> national audience to a ton of new music -- would sound like if Jim's
> taste were stuck in the era during which he discovered jazz?). Which
> brings up another point -- how ironic it is that, while we're talking
> about the wee hours of the morning here, stations whose programmers
> might have decided against adding a new CD to rotation are playing
> that and other current CDs anyway if they carry Jim's or Bob
> Parlocha's shows.
>
>
> ____________________________________
> mfa - mitchell feldman associates
> ...radio promotion, publicity & consulting for the international jazz
> community
>
> 2059 Heckle Street
> Augusta, GA 30904 / USA
> Phone: (+1) 706.550.0263
> Cell: (+1) 303.641.4783
> MitchellFeldmanAssociates at Comcast.net
> www.MitchellFeldmanAssociates.com
>
>
>
>
>
> ------------------------------
>
> Message: 7
> Date: Fri, 27 Jul 2007 09:21:04 -0700
> From: Joanne Paratore <aptracking at aol.com>
> Subject: [JPL] Lalo Schifrin
> To: jazzproglist at jazzweek.com
> Message-ID: <275749BF-291A-4819-8EFD-1312DBD2E56B at aol.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> Hello!
> This is Joanne Paratore from Artist Promotions.
> I do radio promotions for Lalo Schifrin and various artists.
> I was on your email list but somehow got dropped.
> Can you put me back on as I do radio tracking.
> I appreciate your time.
> Joanne Paratore
> www.artistpromotions.us
>
>
>
> ------------------------------
>
> Message: 8
> Date: Fri, 27 Jul 2007 12:07:35 -0600
> From: "Arturo" <arturo893 at qwest.net>
> Subject: [JPL] dissapointing reccomendation, slightly off topic
> To: "jazzproglist at jazzweek. com" <jazzproglist at jazzweek.com>
> Message-ID: <KKELLGGNGFIMOBJCPNECKELCEIAA.arturo893 at qwest.net>
> Content-Type: text/plain; charset="iso-8859-1"
>
> I am farily certain most of our esteemed forum mebers have seen the
> trailer
> or are aware of then latest movie by Jeniffer López and hubby Marc
> Anthony.
> It is the film titled "El Cantante"-the singer, the bio-flix of the
> great
> Puerto Rican salsa sonero(improvistional singer) Héctor La Voe
> (slang way of
> saying the voice).His actual surname was Pérez. The film takes its
> tile from
> the Rubén Blades song he wrote with Héctr in mind and is a
> shortened version
> of La Voe's nickname, "el cantante de los cantantes", the singer among
> singers. The movie is based on the perspective of Héctor's second
> wife who
> sold the story to the Anthonys who never consulted any of the Pérez
> family,
> children, former band mates, managers, agents, Fania label owners
> or any one
> else who was involved with the career and life of LaVoe. The
> second's wife
> viewpoint is slanted, distorted and ignorant of the singer's roots,
> formation and early career. The emphasis of the movie is Héctor
> torment with
> his inner demons and drug addiction which although a part of his
> life was
> not a detterent to his greatness as an artist-similar to Ray
> Charles. Héctor
> La Voe(Marc Anthony) is shown performing songs in concerts he never
> sang and
> others songs which he sang at every concert were omitted. The movie
> also
> perpetuates many stereotypes of Caribbean Latinos and salseros..
>
> The New York and Puerto Rico salsa scene as well as La Voe's band
> mates and
> colleagues are very angry over the depictions in the movie of
> themselves,
> events and of course of their beloved friend La Voe. No one knows
> why J-Lo
> and Marc never consulted any of them or did any facts checks or
> research.
>
> One of the most scalding reviews I've have ever read was done by
> the well
> known and highly respected music critic for the Puerto Rican daily,
> El Nuevo
> Dia, Jaime Torres, who attended the screening with Pérez family
> members and
> several colleagues of La Voe.
>
> Here's a Variety review from a non-latino and aperson who is not a
> 1970s
> salsa fan......... Arturo
>
>
> El Cantante
>
> A Picturehouse release of a Nuyorican Prods. /R-Caro Prods.
> presentation in association with Union Square Works. (International
> sales:
> Voltage Pictures, Los Angeles.) Produced by Julio Caro, Jennifer
> Lopez,
> Simon Fields, David Maldonado. Co-producer, Margo Myers. Directed
> by Leon Ichaso. Screenplay, Ichaso, David Darmstaedter, Todd
> Anthony Bello.
>
> Hector Lavoe - Marc Anthony
> Puchi - Jennifer Lopez
> Willie Colon - John Ortiz
> Eddie - Manny Perez
> Ralph - Vincent Laresca
> Jerry Masucci - Federico Castelluccio
> Johnny Pacheco - Nelson Vasquez
>
>
>
> By ROBERT KOEHLER
> http://www.variety.com/index.asp?layout=bio&peopleid=1207>
>
>
> For "El Cantante," someone left the salsa out on the counter
> too long. A virtual template of every imaginable cliche of the musical
> biopic,
> pic suffers from a lack of narrative and character focus, partly
> stemming from the need for producer-star Jennifer Lopez (whose shingle
> Nuyorican Prods. has nurtured the project) to have a co-leading
> part with
> substantial playing time alongside Marc Anthony, who portrays
> famed, drug-addled salsa star Hector Lavoe. While pic's assured a few
> good weeks based on J-Lo's fan base, this gig is headed South in
> short order.
>
> Positioning of Leon Ichaso as helmer would seem to be a shrewd
> choice, given his finely wrought biopic "Pinero" and his previous
> "Hendrix."
> But script by Ichaso, David Darmstaedter and Todd Anthony Bello
> fails to explore in an interesting way what drove such a beloved
> recording
> artist as Lavoe (a huge star for Fania Records from the '60s through
> the mid-'80s) to self-destruct in a mountain of cocaine and heroin.
>
> Worse, the central narrative device--Lopez as Puchi, Lavoe's
> loving but difficult wife, giving her side of the story for a
> "Behind the
> Music"-style film--is instantly phony and arch. For starters,
> Lopez doesn't look like the older woman she plays, even though her
> Puchi would actually be well into her 60s. To make matters dicier,
> Puchi
> couldn't have possibly been privy to some of the situations Hector is
> shown in, so the whole notion of the pic being her p.o.v. is dubious.
>
> After an on-screen graphic noting that 1985 was Hector's last
> good year and a prelude when Puchi arrives like a bitch on wheels for
> the filming session, bio flashes back to Puerto Rico, 1963. Hector
> is a
> charming singer with his dad, but he knows that he has to immigrate to
> Gotham in order to grab the success he senses is his. Puchi is
> instantly
> attracted to him in a Bronx nightclub, and they're a couple well
> before
> the second reel.
>
> Hector comes to the attention of Jerry Masucci (Federico
> Castelluccio), who's forming a stable of talent for his new Fania
> label.
> Matched
> with New York-based trumpeter Willie Colon (John Ortiz), Hector begins
> developing musical ideas to mix jazz (Willie's forte), merengue
> (Hector's passion), samba and other Latin styles into "a sauce" --
> salsa.
>
> Sadly, "El Cantante" barely addresses Hector and Willie's artistry,
> and never explores (as in, say, Clint Eastwood's Charlie Parker
> bio, "Bird") how performing artists moving into new territory
> develop and
> mature. Pic's perhaps unintended suggestion is that Hector arrived
> fully
> formed (hardly the case).
>
> It's quickly apparent that Puchi -- who does little but watch
> Hector sing -- is a poor choice for narrator and that her character
> has been barely conceived on the page. Evidence of Puchi's comments
> that
> Hector was "funny and corny" almost never pops up, while her tendency
> to turn nastier and more spiteful as they grow wealthier and move to
> a Central Park townhouse makes her borderline repellant.
>
> Huge chunk of pic's midsection, as well as final reels, are
> consumed with Hector fighting his worsening addiction. Puchi
> repeatedly
> chides him, but the fact that she also indulged in drugs in the '60s
> and '70s alongside Hector is not addressed.
>
> There's less dramatic rise and fall in "El Cantante" than a
> dull, downward slide that only an artist with the power of a Scorsese
> could have turned into something fascinating to watch.
>
> Story is interrupted from time to time with welcome views of
> Hector and Willie onstage, supported by a fabulous assembly of big-
> band
> players (totaling some 59, according to credits, along with over a
> dozen
> other credited players and dancers). Ichaso's direction appears to
> come alive during these musical respites in the grinding narrative,
> hinting
> at a very different movie that might have been.
>
> Lopez conjures up plenty of ferocity and street attitude as
> Puchi, but there's no shape, or power, to the wrath. Similarly,
> Anthony
> seems ill at ease playing a rather passive guy who goes far with
> his talent
> but seems to lack an inner compass. He ends up being among the dullest
> of movie drug addicts.
>
> Production package is geared for the bigscreen, but the fairly
> bland visual design will make pic more than suitable to be seen on
> the tube. Within pic's many standard-issue biopic montage sequences, a
> fun array of period concert posters and Fania album covers is sure to
> be appreciated by salsa lovers. With: Ismael Miranda, Victor Manuelle,
> Christopher Becerra, Bernard Hernandez, Jared Everleth.
> (English, Spanish dialogue)
>
> Camera (Deluxe color), Claudio Chea; editor, David Tedeschi;
> music, Andres Levin; music supervisor, Tracy McKnight; production
> designer,
> Sharon Lomofsky; art director, Nicholas Lundy; set decorator,
> Jennifer Greenberg; costume designer, Sandra Hernandez; makeup, Nuria
> Sitja; sound (Dolby Digital), Jeff Pullman; sound designer, Dave
> Esparza;
> supervising sound editor, Esparza; choreographer, Maria Torres;
> associate producer, Nini Mazen; assistant director, David "Wex"
> Wexler; casting, Ellyn Long Marshall, Maria E. Nelson. Reviewed at
> Toronto
> Film Festival (Special Presentation), Sept. 13, 2006. Running time:
> 116
>
>
>
>
>
> ------------------------------
>
> Message: 9
> Date: Fri, 27 Jul 2007 14:03:40 EDT
> From: POWDERSPAM at aol.com
> Subject: Re: [JPL] New Music
> To: jazzproglist at jazzweek.com
> Message-ID: <cab.16870596.33db8d7c at aol.com>
> Content-Type: text/plain; charset="US-ASCII"
>
> <<both studies basically said that only about 15-20% of our
> listeners even
> CARED about hearing new music. (During our regular jazz programs,
> KPLU's new
> music ratio per hour is about 10-15% --one or two tracks).>>
>
> young people especially want music that is alive to claim as their
> own. i'm
> sure there's a great listenership at kplu now, but there may not
> be in 20
> years if the focus is largely on the music of yesteryear. limiting
> new music
> also limits certain opportunities to connect directly with your
> listeners and
> gain new ones. for example, wicn in worcestor, mass has free brown
> bag lunch
> concerts for the public that really help raise their profile in
> the community,
> and reminds us that jazz is music by and for the living. getting that
> message across to the public would be a great service to the
> community, and is
> ultimately healthy for the jazz community in general. that's my
> opinion anyway.
> -david
>
>
>
> ************************************** Get a sneak peek of the all-
> new AOL at
> http://discover.aol.com/memed/aolcom30tour
>
>
> ------------------------------
>
> Message: 10
> Date: Fri, 27 Jul 2007 11:11:55 -0700 (PDT)
> From: r durfee <rdurfee2003 at yahoo.com>
> Subject: [JPL] Sekou Sundiata, 1948?2007...Vernon Reid remembers the
> seminal black artist and activist
> To: "jazzweek.com jazzproglist@" <jazzproglist at jazzweek.com>
> Message-ID: <899317.90559.qm at web34304.mail.mud.yahoo.com>
> Content-Type: text/plain; charset=iso-8859-1
>
> Runnin' Scared
> Sekou Sundiata, 1948–2007
> Vernon Reid remembers the seminal black artist and
> activist
> by Vernon Reid
> July 24th, 2007 5:42 PM
>
> The untimely death last week of the visionary
> activist, poet, playwright, songwriter, educator, and
> vocalist Sekou Sundiata is a terrible shock to the
> many communities that his extraordinary life and art
> touched. Sekou was truly a great man, an artist whose
> incisive analysis of modern society was equaled by a
> deep compassion for, and understanding of, the human
> condition. The sound of Sekou's voice was iconic and
> electrifying, its deep melody the sound of a griot for
> the ages. It was the sound of unflinching honesty,
> warmheartedness, wry comedy, righteous anger, and
> elegiac longing. It was as distinctive as Coltrane's
> horn or Jimi's guitar. Sekou loved everyday people,
> their madness and occasional genius, their
> inexplicable and contradictory natures.
> I was introduced to Sekou in the early 1980s by the
> great drummer J.T. Lewis, who was raving about an
> amazing poet he was playing with at City College. I
> went to the gig and was mesmerized by a tall, dashing
> figure who had the audience in the palms of his large,
> expressive hands. His band Sekou and the Crew was
> funky and edgy, like Gil Scott Heron's Midnight Band,
> but not at all derivative. After the show, J.T.
> introduced me. Sekou became a mentor and a close
> friend.
>
> Sekou was a witness to and part of the tumult of the
> '60s and '70s. Despite the many setbacks that plagued
> and stymied the black-empowerment movements, he
> remained a steadfast opponent of racism and fascism in
> all their hydra-like forms, and was an indefatigable
> optimist with regard to the future of black people.
> Unlike many black-power ideologues, Sekou's love
> wasn't solely reserved for people of African descent,
> because he internalized Dr. King's message of love for
> people of all colors. Sekou was also a great romantic,
> a trenchant observer of the mysteries and
> misunderstandings that exist between men and women,
> themes explored in poems like "Forsaken Sea" and
> "Sweet Tooth"—poems I heard performed many times, but
> which always seemed new because the truth never grows
> old.
>
> Sekou was the first person from whom I heard about a
> drug named crack, the first person who told what it
> was doing to his beloved Harlem. The nation would soon
> follow. I also first learned about the emerging AIDS
> crisis from him. He always had his ear to the street,
> listening to its shadowy music, shifting rhythms,
> flows and currents.
>
> Sekou had a magnetic leadership quality that centered
> the energies of the artists he collaborated with. In
> Craig Harris, the master trombonist, composer, and
> didgeridoo-ist, Sekou found a musical soulmate. Their
> play collaboration, The Circle Unbroken Is a Hard Bop,
> looked unsparingy at what happened to the children of
> Martin's dreams and Malcolm's grassroots. The lyric
> prose work "Space, a Monologue" lies at its center.
> It's a tour de force in the voice of a madman making
> mad sense, an incredible stream of black consciousness
> that brings together a butt-naked Marilyn Monroe in
> Bird's hotel room, Afrika Bambaataa, Nat Turner, and
> Martha and the Vandellas. Astounding.
>
> Nothing slowed Sekou down—not a kidney transplant, nor
> the terrible car accident that happened right after.
> Sekou transformed these harrowing experiences into his
> solo masterwork Blessing of Boats, performed
> nationally to the acclaim his work always deserved.
> It's hard to imagine a world without Sekou Sundiata in
> it. At the end of "Space, a Monologue," he says: "Let
> this be my epitaph: 'His heart to the very end was in
> the left place.'" And there he is, in the hearts of
> those he loved, especially his beloved Maureen. In the
> hearts of those he taught, and the ones he touched
> with his beautiful works, all of us who heard him
> laugh or saw him dance at those great parties uptown
> or heard him speak truth to power without clichés.
> Sekou Sundiata lives inside of us now and will never
> die.
>
> Musician-composer Vernon Reid is guitarist for the
> band Living Colour and co-founder of the Black Rock
> Coalition.
>
> http://www.villagevoice.com/news/0730,reid,77324,2.html
>
> Roy Durfee
> P.O. Box 40219
> Albuquerque, New Mexico 87196-0219
> rdurfee2003 at yahoo.com
>
>
>
> ______________________________________________________________________
> ______________
> Get the Yahoo! toolbar and be alerted to new email wherever you're
> surfing.
> http://new.toolbar.yahoo.com/toolbar/features/mail/index.php
>
>
> ------------------------------
>
> Message: 11
> Date: Fri, 27 Jul 2007 14:28:24 EDT
> From: OntheBeach at aol.com
> Subject: Re: [JPL] New Music - it's not enough to just tend the
> eternal flame - we mus...
> To: jazzproglist at jazzweek.com
> Message-ID: <cb6.130ff6fe.33db9348 at aol.com>
> Content-Type: text/plain; charset="ISO-8859-1"
>
> Regarding Mitchell's [and other's comments regarding nick francis/
> kplu's recen
> t post/query]
> I respectfully submit a few thoughts:
>
> In a message dated 7/27/2007 _MitchellFeldmanAssociates at Comcast.net_
> (mailto:MitchellFeldmanAssociates at Comcast.net) writes:
>
> -- clearly posed in all sincerity -- was posted by the music
> director of an important major market jazz station is one of the
> scariest, saddest, naïve and incredulous things I've ever read on
> this forum!
> ----> definitely sincere, many of you may not be familiar with nick's
> background. he's a pro
> and had great success within the smooth jazz format. his
> background
> and perspective
> coming from commercial broadcasting can only contribute to
> the scene.
> he's
> knowledgeable and passionate about music.
>
> I do a 3-hour program and usually play 100% new
> releases ...where it would be impossible otherwise to have a clue
> (other
> than, of course, listening online or to satellite radio) about the
> current state
> of the art form
> known as jazz.
> -----> that [online and satellite] has come to be a rather LARGE
> "other"
>
> We're not only keepers of an eternal flame but also bearers of the
> standard that heralds the future. Not featuring both current and
> archival jazz in one's programming is a disservice to the music, its
> audience and its legacy.
> ------> as a former broadcaster myself, i've been saying this for 25
> + years:
> "good programming is good programming whether you spin avant garde or
> mainstream or...JAZZ
> radio can learn from what wins in commercial radio and adopt the
> best. this
> is something that has been sadly overlooked. many jazz radio
> people [by NO
> means all] confuse great music with great programming. i hope nick
> will be
> invited onto some conference panels.
>
> imho , if one chooses to be a keeper of the eternal flame by
> programming
> largely archival music [and few people have advocated for new
> artists as much as
> this writer through the years] whats most important is this: is
> JAZZ being
> presented in a professional manner such that it enriches,
> entertains and informs
> the listener ? is it being in done to the art form and the listeners?
>
> as a young listener i could enjoy hearing ed beach spin yarns and
> very old
> records to the exclusion of almost anything from the most recent
> couple of
> decades: the context of his show [within WRVR/New York] and his
> wealth of
> knowledge, dedication and passion made it riveting, and i was a
> fusion fan priomarily
> at the time!
>
> JAZZ will be moved forward in part by GREAT radio stations playing
> Jazz. we
> are fortunate to have some number of those. satellite and online
> radio are
> forces to be reckoned with, now and forever. they point to the
> possibilities of
> a "world" where you can have splinter jazz formats.
>
> whatever your vision or mission for your jazz programming, strive
> to do it in
> the most professional way possible. be creative, break new ground.
> break
> down your competition (any radio station that has listeners!) what
> do they do
> that works--thats truly excellent?(and might be appropriate) how
> can that be
> adapted to your station?
>
> and mitchell--dont be scared by nick's comments. my money is on him
> contributing to ongoing larger success at KPLU. perhaps one of the
> other area stations
> will begin programming all new jazz material. wouldn't that be a
> win for the
> folks in the northwest--having more choices, more flavors, more jazz!
>
> keep swinging.
> ricky schultz
> jazz consultant
>
>
>
> ************************************** Get a sneak peek of the all-
> new AOL at
> http://discover.aol.com/memed/aolcom30tour
>
>
> ------------------------------
>
> Message: 12
> Date: Fri, 27 Jul 2007 20:47:39 +0200
> From: "Joost van Steen" <joost at jazzbluestour.nl>
> Subject: [JPL] PLAYLIST J & B TOUR Special Edition for July 31 with
> ASFM105.4 in The Netherlands
> To: "Jazzproglist" <jazzproglist at jazzweek.com>
> Message-ID: <20070727184757.BD2417000087 at mwinf6108.orange.nl>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hai All
>
> As you can read, indeed a special edition for Jazz & Blues Tour
> because the
> first hour is taken out, more below.
>
> Furthermore if you check out the website you will see a new button
> to the
> right “Contact” !
>
> On the page contact you will only find a possibility for a
> guestbook-entry,
> this is to prevent from getting all that lousy SPAM!!
>
> So would be great if some of you would enter some messages in the
> Guestbook
> because empty it doesnot look to good
> .
>
> On the right uppercorner of the Guestbook yo can change the language
> ..
>
> Do hope you enjoy the rest of the playlist
> ..
>
> Joost
>
> +
>
> Jazz & Blues Tour
>
> C/O Joost van Steen
>
> PO BOX 471
>
> 2400 AL Alphen aan de Rijn
>
> The Netherlands
>
> ++
>
> <http://www.jazzzbluestour.nl/> www.jazzzbluestour.nl
>
> <http://www.alphenstadfm.nl/jazzenbluestour>
> www.alphenstadfm.nl/jazzenbluestour
>
> www.radio.nl/jazzbluestour
>
> +++
>
> July 31
> Special edition
>
> 1st Hour 21:00 - 22:00 hrs
> The First hour of the program has been given to the sportsprogram
> because
> of live-coverage for a special soccermatch between a local Club and
> a club
> from Englands First Division; Swansea City! The 2nd Hour will be
> presented
> as usual,
> Happy to oblige the colleagues of the sportsprogram.
> Joost
>
>
>
> July 31 Special Edition Lean back and enjoy the 2nd
> hour, so
> just let it slide....
> 2nd hour 22:00 - 23:00 hrs
> Nr. Artist TitleFrom The Album;
> 1 Al "Coffee" McDaniel --- For The DJ ====
> Blues in My
> Shoes
>
> 2 The Matt Schofield Trio --- Cookie Jar ====
> Ear To
> The Ground
> 3 Alexa Weber Morales --- El Cantante ====
> Vagabundeo /
> Wanderings
>
> 4 Cotton Club All Stars --- Cheese Cake ====
> Amsterdam
> Jam
> 5 Ellen Honert --- Someday ==== Breath of Soul
>
> The " CHET " - Session
> 6 Chet Baker --- Halema ==== Deep In A Dream
> 7 Léah Kline --- Orange Blossom in Summertime ====
> Juzz Flirtin
>
> 8 Miles Davis --- Bird of Paradise ==== Bird of
> Paradise
>
> 9 George Iglesias --- Over The Rainbow ====
> Harlequin
>
> 10 Lisa Markley --- Lullaby of The Wandering Moon ====
> The Sky is Blue and Sometimes Cries
>
> END Jean Toots Thielemans --- Hard to Say Goodbye ====
> Hard to Say Goodbye
> © JvS, 07 - 2007, Jazz & Blues Tour ®
> NL, All
> Rights Reserved.
>
> +
> Well that's it for this coming tuesday, do hope you like the playlist
> inspite of the missing first hour
>
> and ofcourse all your comments highly appreciated!
> So enjoy your weekend, have a great week and do be careful, take
> care of
> yourself and each other!
> Kind regards
> Joost van Steen, Host / producer Jazz & Blues Tour with Alphen Stad
> FM 105.4
> FM 103.4 Cable
> in Alphen aan den Rijn, The Netherlands
>
> ++
>
>
>
>
>
>
>
> ------------------------------
>
> Message: 13
> Date: Fri, 27 Jul 2007 09:09:55 -1000 (HST)
> From: "Ray Cruz" <rcruz at hawaiipublicradio.org>
> Subject: [JPL] Re: Playlist - KIPO 89.3 FM - Honolulu, Hawaii
> To: jazzproglist at jazzweek.com
> Message-ID:
> <17965.64.75.220.4.1185563395.squirrel at mail.hawaiipublicradio.org>
> Content-Type: text/plain;charset=iso-8859-1
>
>
> Foreword Play List on KIPO - 89.3FM, Honolulu HI
>
>
> Host: Ray Cruz
> Time: 8:00a – 9:00a Weekly – Morning Drive
> Format: Smooth Jazz, Classic R&B, News & Information
>
> ** This play list shows only spins that are listed on the current Jazz
> Week Smooth Album Chart and CD’s that we currently have in our
> library**
>
> Please direct CD’s for airplay consideration to:
>
> Ray Cruz
> 738 Kaheka Street Suite 101
> Honolulu, HI 96814-3726
> 808-955-8821 Office
> 808-226-1221 Cellular
>
>
> Artist – Project – Title – Label – (Comments)
>
> Monday - 7/23/07
> 8:00am
> Kelly Eisenhour – Seek & Find – I Didn’t Know What Time It Was –
> BluJazz
> Productions
> Brian Bromberg – Downright Upright – Serengetti Walk - Artistry
> Wayne Boyer – The Taste Of You – As – Spirit One Records
> Jane Monheit – Surrender – Surrender – Concord
> The Puppini Sisters – Betcha’ Bottom Dollar – I Will Survive –
> Verve Records
>
> 8:30am
> A. Ray Fuller – The Weeper – If You Really Love Me – A Ray Artist Inc.
> Eric Darius – Just Getting Started – Got It Going On – Narada Jazz
> ______________________________________________________________________
> _____
> Tuesday - 07/24/07
> 8:00am
> David Benoit – Full Circle – Agua De Beber – Peak Records
> Sachal Vasandani – Eyes Wide Open – Naked As We Came – Mack Avenue
> Lee Ritenour – Smoke ‘n’ Mirrors – Forget Me Nots – Peak Records
> Norah Jones – Not Too Late – Not Too Late – Blue Note
> Honolulu Jazz Quartet – Sounds Of The City – Deanna – HJQ Records
>
> 8:30am
> Eric Darius – Just Getting Started – Slick – Narada Jazz / Virgin
> ______________________________________________________________________
> _____
> Wednesday - 07/25/07
> 8:00am
> Mindi Abair – Do You Miss Me? – Life Less Ordinary – Verve Music Group
> Joyce Cooling – Revolving Door – Cool Of The Night – Narada Jazz
> Rick Braun & Richard Elliot – R n R – R n R – ARTizen
> George Benson – The George Benson Collection – Nature Boy – Warner
> Brothers
> Al Jarreau – Accentuate The Positive – Groovin’ High – Verve Music
> Group
> Earl Klugh – Late Night Guitar – Nice To Be Around – Blue Note Records
>
> 8:30am
> Jeff Golub – Grand Central – Hello Betty – Narada Jazz
> Take 6 – Feels Good – Wait For The Sunshine – Take 6 Records
> ______________________________________________________________________
> _____
> Thursday - 07/26/07
> 8:00am – ***Classic R& B with a Twist of Smooth Jazz
> Will Downing feat. Lee Ritenour – Twist Of Motown - Just My
> Imagination - GRP
> Peter White – Playing Favorites - What Does It Take - Sony
> Lee Ritenour – Twist Of Motown - I Heard It Through The Grapevine -
> GRP
> Will Donato – Will Call - I’ll Be Around - Innversion
> Michael McDonald – Motown – How Sweet It Is – Universal/ Motown
>
> 8:30am
> Take 6 feat. Brian McKnight – Feels Good – What’s Going On? – Take
> 6 Records
> Paul Jackson Jr. – Still Small Voice - It’s A Shame – Blue Note
> Records
> ______________________________________________________________________
> _____
> Friday - 07/27/07
> 8:00am
> Blake Aaron – Desire – Bumpin’ On The Wes Side – Innervision
> Danny Lerman – Meowbaby – Gotcha! – Sugar Whiskey Records
> Kelly Eisenhour feat. Bob Mintzer – Seek & Find – Better Days Ahead –
> BluJazz Productions
>
> 8:30am
> Joyce Cooling – Revolving Door – Come and Get It – Narada Jazz
> Jazzmasters – Jazzmasters V – Free As The Wind – Trippin ‘n Rhythm
> ______________________________________________________________________
> _____
>
>
> Ray Cruz
> KIPO 89.FM
> Hawaii Public Radio
> Honolulu Hawaii
> 808-955-8821 Office
> 808-226-1221 Cellular
>
>
>
>
> ------------------------------
>
> Message: 14
> Date: Fri, 27 Jul 2007 17:22:16 -0400
> From: Tom Mallison <tomthejazzman at earthlink.net>
> Subject: Re: [JPL] Lalo Schifrin
> To: Jazz Programmers Mailing List <jazzproglist at jazzweek.com>
> Message-ID: <46AA6208.6000902 at earthlink.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Thanks Joanne. I remember you. I have you on the list again.
> Changing
> computers allows such things to happen. I have not received the last
> few releases from Lalo either.
>
> My address is still:
>
> 109 Williamsburg Drive
> Greenville, NC 27858
>
> /I was able to meet and talk with both Lalo and Donna at the Blue Note
> Club in NYC a few years when they did the recording session.
>
> Stay in touch..
>
> Tom
> /
> Joanne Paratore wrote:
>
>> This Week's JPL Sponsor: Lisa Hilton ''The New York Sessions''
>>
>> For pianist and producer Lisa Hilton's latest recording, ''The New
>> York Sessions'', Hilton assembled a group of true jazz royalty, but
>> it took a little bit of luck. Hilton recalls meeting trumpeter Jeremy
>> Pelt: ''We chatted at Dizzy's in Manhattan, and later when I asked
>> him
>> to record, he remembered me and agreed to play, along with drummer
>> Lewis Nash. Recording on a Sunday and Monday, also allowed Hilton to
>> work with in-demand bassist Christian McBride, and Steve Wilson on
>> sax. ''These musicians, and my engineer, Al Schmitt, are the best:
>> they are a 'Dream Team''', Hilton comments, ''and the music sounds
>> terrific.'' ''The New York Sessions'' has an August release date with
>> Koch Distribution.
>>
>> +++++++++++++++++++++++++++++++
>>
>> Hello!
>> This is Joanne Paratore from Artist Promotions.
>> I do radio promotions for Lalo Schifrin and various artists.
>> I was on your email list but somehow got dropped.
>> Can you put me back on as I do radio tracking.
>> I appreciate your time.
>> Joanne Paratore
>> www.artistpromotions.us
>>
>> +++++++++++++++++++++++++++++++
>>
>> Send jazzproglist mailing list submissions to
>> jazzproglist at jazzweek.com
>>
>> To subscribe or unsubscribe via the World Wide Web, visit
>> http://lists.jazzweek.com/mailman/listinfo/jazzproglist
>> or, via email, send a message with subject or body 'help' to
>> jazzproglist-request at jazzweek.com
>>
>> You can reach the person managing the list at
>> jazzproglist-owner at jazzweek.com
>>
>> Delivered to: tomthejazzman at earthlink.net
>>
>>
>
>
>
> ------------------------------
>
> Message: 15
> Date: Fri, 27 Jul 2007 18:38:16 -0400
> From: Mitchell Feldman <MitchellFeldman at Comcast.net>
> Subject: [JPL] New Music - Ricky made some excellent points...
> To: Jazzweek <jazzproglist at jazzweek.com>
> Message-ID: <21AAC89B-DEBD-4EE9-8C27-10789B0D0A36 at Comcast.net>
> Content-Type: text/plain; charset=WINDOWS-1252; delsp=yes;
> format=flowed
>
> Thanks for your insightful comments, Ricky - especially about the
> growing online audience (I have people who tune in regularly who live
> in SF and Manhattan where there certainly is no dearth of
> opportunities to hear jazz and creative radio programming) and those
> I excerpted below. This the same message clear and compelling you
> passed along to me almost 30 years ago when I was music and then jazz
> director of WUOG in Athens, GA and you were promoting the then
> awesome WB and affiliated labels (ECM!) jazz catalogue. You were so
> inspiring, took this college kid seriously and one of the key people
> if not the first record industry pro to encourage me to pursue a
> career involving jazz. The model you presenting of promoting the
> music is always fresh in my mind as I work on a weekly basis with
> college radio stations.
>
> Mitchell
> [JPL] New Music - it's not enough to just tend the eternal flame - we
> mus...
>
> OntheBeach at aol.com OntheBeach at aol.com
> Fri Jul 27 14:28:24 EDT 2007
> Previous message: [JPL] Sekou Sundiata, 1948–2007...Vernon Reid
> remembers the seminal black artist and activist
> Next message: [JPL] PLAYLIST J & B TOUR Special Edition for July 31
> with ASFM105.4 in The Netherlands
> Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
> Regarding Mitchell's [and other's comments regarding nick francis/
> kplu's recent post/query]
> I respectfully submit a few thoughts:
> imho , if one chooses to be a keeper of the eternal flame by
> programming
> largely archival music [and few people have advocated for new artists
> as much as
> this writer through the years] whats most important is this: is JAZZ
> being
> presented in a professional manner such that it enriches, entertains
> and informs
> the listener ? is it being in done to the art form and the listeners?
>
> as a young listener i could enjoy hearing ed beach spin yarns and
> very old
> records to the exclusion of almost anything from the most recent
> couple of
> decades: the context of his show [within WRVR/New York] and his
> wealth of
> knowledge, dedication and passion made it riveting, and i was a
> fusion fan priomarily
> at the time!
>
> JAZZ will be moved forward in part by GREAT radio stations playing
> Jazz. we
> are fortunate to have some number of those. satellite and online
> radio are
> forces to be reckoned with, now and forever. they point to the
> possibilities of
> a "world" where you can have splinter jazz formats.
>
> whatever your vision or mission for your jazz programming, strive to
> do it in
> the most professional way possible. be creative, break new ground.
> break
> down your competition (any radio station that has listeners!) what do
> they do
> that works--thats truly excellent?(and might be appropriate) how can
> that be
> adapted to your station?
>
> and mitchell--dont be scared by nick's comments. my money is on him
> contributing to ongoing larger success at KPLU. perhaps one of the
> other area stations
> will begin programming all new jazz material. wouldn't that be a win
> for the
> folks in the northwest--having more choices, more flavors, more jazz!
>
> keep swinging.
> ricky schultz
> jazz consultant
>
>
>
> ************************************** Get a sneak peek of the all-
> new AOL at
> http://discover.aol.com/memed/aolcom30tour
> Previous message: [JPL] Sekou Sundiata, 1948–2007...Vernon Reid
> remembers the seminal black artist and activist
> Next message: [JPL] PLAYLIST J & B TOUR Special Edition for July 31
> with ASFM105.4 in The Netherlands
> Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
> More information about the jazzproglist mailing list
>
>
>
>
>
> ____________________________________
>
> Mitchell Feldman
> 2059 Heckle Street
> Augusta, GA 30904 / USA
>
> Phone: 706.550.0263
> Cell: 303.641.4783
> E-Mail: MitchellFeldman at Comcast.net
>
>
>
>
>
> ------------------------------
>
> Message: 16
> Date: Fri, 27 Jul 2007 12:56:48 -1000
> From: "Don Gordon" <dongordon at hawaii.rr.com>
> Subject: [JPL] Don's Picks - KPIPO - 7/27/07
> To: <jazzproglist at jazzweek.com>
> Message-ID: <000501c7d0a1$6aafb2c0$fac80842 at DonGordon>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Don's Picks with Don Gordon
> KIPO - Honolulu - Friday July 27, 2007
> 10:00pm - Midnight
> Please direct CD's for airplay consideration to:
> Don Gordon
> KIPO
> 738 Keheka Street
> Honolulu, HI 96814
> www.dondgordon.net
>
> 10:00pm
> *David Sills - Green - (Origin)
> Melon Head
> Fontok
> Prelude To A Kiss
> For Us
>
> *Bob Montgomery/Al Hermann - On The Brink - (Summit)
> On The Brink
> United
> Ladybird
> Blue
> Collard Greens & Black Eyed Peas
>
> 11:00pm
> *Down To The Bone - Supercharged - (Narada Jazz)
> Supercharged
> Funkin' Around
> Parkside Shuffle
> Cosmic Fuzz
> Electric Vibe
>
> *Gene Burkert - Secret Passion - (GBM)
> Jam
> Starlight Strut
> The Opposite Sax
> Secret Passion
>
>
>
>
> ------------------------------
>
> Message: 17
> Date: Fri, 27 Jul 2007 18:55:00 -0400
> From: "Peter Solomon" <psolomon at ideastations.org>
> Subject: Re: [JPL] New Music - Ricky made some excellent points...
> To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
> Message-ID:
> <fc.0010c76000abceee3b9aca0026250873.abceef at ideastations.org>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Forgive my ignoance, what does "imho" stand for?
> Thanks
> Peter
>
>
>
> ------------------------------
>
> Message: 18
> Date: Fri, 27 Jul 2007 19:04:51 -0400
> From: Ed Trefzger <ed.trefzger at jazzweek.com>
> Subject: Re: [JPL] New Music - Ricky made some excellent points...
> To: Jazz Programmers Mailing List <jazzproglist at jazzweek.com>
> Message-ID: <46AA7A13.10403 at jazzweek.com>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
>
>
>
> Peter Solomon wrote:
>> Forgive my ignoance, what does "imho" stand for?
>> Thanks
>> Peter
>>
> Email/IM jargon/shorthand for "In My Humble Opinion."
>
>
> ------------------------------
>
> Message: 19
> Date: Fri, 27 Jul 2007 19:14:33 -0400
> From: "Len Dobbin" <lendobbin at sympatico.ca>
> Subject: Re: [JPL] New Music - Ricky made some excellent points...
> To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
> Message-ID: <00ec01c7d0a3$e494eb80$6400a8c0 at homebase>
> Content-Type: text/plain; format=flowed; charset="Windows-1252";
> reply-type=response
>
> Re: Ed Beach - THE jazz dj in my estimation.
> An inspiration!
>
> Len Dobbin
> ----- Original Message -----
> From: "Mitchell Feldman" <MitchellFeldman at Comcast.net>
> To: "Jazzweek" <jazzproglist at jazzweek.com>
> Sent: Friday, July 27, 2007 6:38 PM
> Subject: [JPL] New Music - Ricky made some excellent points...
>
>
>
>
> as a young listener i could enjoy hearing ed beach spin yarns and
> very old
> records to the exclusion of almost anything from the most recent
> couple of
> decades: the context of his show [within WRVR/New York] and his
> wealth of
> knowledge, dedication and passion made it riveting, and i was a
> fusion fan priomarily
> at the time!
>
> JAZZ will be moved forward in part by GREAT radio stations playing
> Jazz. we
> are fortunate to have some number of those. satellite and online
> radio are
> forces to be reckoned with, now and forever. they point to the
> possibilities of
> a "world" where you can have splinter jazz formats.
>
> whatever your vision or mission for your jazz programming, strive to
> do it in the most professional way possible. be creative, break
> new ground.
> break
> down your competition (any radio station that has listeners!) what do
> they dothat works--thats truly excellent?(and might be appropriate)
> how can
> that beadapted to your station?
>
> and mitchell--dont be scared by nick's comments. my money is on him
> contributing to ongoing larger success at KPLU. perhaps one of the
> other area station will begin programming all new jazz material.
> wouldn't
> that be a win
> for the folks in the northwest--having more choices, more flavors,
> more
> jazz!
>
> keep swinging.
> ricky schultz
> jazz consultant
>
>
>
>
>
>
>
>
> ------------------------------
>
> Message: 20
> Date: Fri, 27 Jul 2007 20:23:01 -0400
> From: Paul Combs <pcomb at comcast.net>
> Subject: Re: [JPL] dissapointing reccomendation, slightly off topic
> To: Jazz Programmers Mailing List <jazzproglist at jazzweek.com>
> Message-ID: <46AA8C65.1050902 at comcast.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> I am really saddened to hear this. Hector LaVoe, was always one of my
> favorite singers, in any style or idiom, and I continue to enjoy his
> recordings. I was always troubled to hear of his difficulties, and
> had
> hoped (perhaps foolishly) for some insight into the man from this
> movie. It seems to me that Marc Anthony, who came up in Hector's
> shadow, should know better than this. But then, when have we ever
> gotten a proper bio-pic of a great American musician from Hollywood?
>
> Paul Combs
>
> Arturo wrote:
>> The movie is based on the perspective of Héctor's second wife who
>> sold the story to the Anthonys who never consulted any of the
>> Pérez family,
>> children, former band mates, managers, agents, Fania label owners
>> or any one
>> else who was involved with the career and life of LaVoe. The
>> second's wife
>> viewpoint is slanted, distorted and ignorant of the singer's roots,
>> formation and early career. The emphasis of the movie is Héctor
>> torment with
>> his inner demons and drug addiction which although a part of his
>> life was
>> not a detterent to his greatness as an artist-similar to Ray
>> Charles. Héctor
>> La Voe(Marc Anthony) is shown performing songs in concerts he
>> never sang and
>> others songs which he sang at every concert were omitted. The
>> movie also
>> perpetuates many stereotypes of Caribbean Latinos and salseros..
>>
>> The New York and Puerto Rico salsa scene as well as La Voe's band
>> mates and
>> colleagues are very angry over the depictions in the movie of
>> themselves,
>> events and of course of their beloved friend La Voe. No one knows
>> why J-Lo
>> and Marc never consulted any of them or did any facts checks or
>> research.
>> ......... Arturo
>>
>>
>>
>>
>
>
> ------------------------------
>
> Message: 21
> Date: Fri, 27 Jul 2007 20:55:17 -0400
> From: "Thomas M. \"Biz\" Bisard" <mrbiz at torchlake.com>
> Subject: [JPL] PLAYLIST: WNMC Friday Afternoon Jazz 7/27/07
> To: Jazzweek <jazzproglist at jazzweek.com>
> Message-ID: <mailman.0.1185609602.17216.jazzproglist at jazzweek.com>
> Content-Type: text/plain; charset="iso-8859-1"; format=flowed
>
>
>
>
> WNMC
> 90.7 FM
>
> Traverse
> City, Michigan, USA
> Small
> Town Station - World Class Radio
>
> <www.wnmc.org>
>
>
>
> Friday
> Afternoon Jazz hosted by Biz Bisard <mrbiz at torchlake.com>
>
>
> July
> 27, 2007
>
>
>
>
> 2
> PM
>
> WILSON, PURDIE &
> GREEN Sweet Home Chicago
> "The Godfathers of Groove"
> (18th & Vine)
>
> new - PONCHO
> SANCHEZ
> El Sabroson
> "Compilation: Putumayo Presents Latin
> Jazz"
> (Putumayo)
>
>
> BREAK
>
> RUFUS
> REID
> Heroes
> "Live at the Kennedy Center"
> (Motéma)
>
> MANUEL
> VALERA
> Azulado
> "Vientos"
> (Anzic)
>
> ANGELIQUE
> KIDJO
> title track
> "Djin Djin"
> (Razor & Tie)
>
>
> BREAK
>
> LOUIS
> ARMSTRONG
> Ole Miss Blues
> "Louis Armstrong Plays W. C. Handy"
> (Columbia/Sony/BMG)
>
> THE JAZZ
> O'MANIACS
> Put Em Down Blues
> "Sunset Café Stomp"
> (Delmark)
>
> LES
> MCCANN
> Les by Night
> "Les Is More"
> (Night/Virgin/EMI)
>
> new -
> SOULIVE
> Yeah Yeah
> "No Place like Soul"
> (Stax/CMG)
>
>
>
>
> 3
> PM
>
> new - BILLY BANG
> QUINTET
> At Play in the Fields of the Lord
> "Above & Beyond: An Evening in Grand
> Rapids"
> (Justin Time)
>
> new -
> FLORATONE
> Frontiers
> "self-titled"
> (Blue Note/EMI)
>
>
> BREAK
>
> DEAD HORSE
> BLOOM
> Someday Soon Our Time Will Come
> "Chelsea Diaries"
> (KEI)
>
> LOUDON WAINWRIGHT
> III Doin' the Math
> "Strange Weirdos"
> (Concord/CMG)
>
> STEVE
> KHAN
> Face Value
> "Borrowed Time"
> (Tone Center)
>
>
> BREAK
>
> concert promo: MARCUS
> ROBERTS
> New Orleans Blues
> "Alone with 3 Giants"
> (Novus/RCA/Sony/BMG)
>
> MARCUS
> ROBERTS
> It Ain't Necessarily So
> "Gershwin for Lovers"
> (Novus/RCA/Sony/BMG)
>
> MARCUS
> ROBERTS
> Preach, Reverend Preach
> "If I Could Be with You"
> (Novus/RCA/Sony/BMG)
>
> MARCUS
> ROBERTS
> Blues in the Evening Time
> "As Serenity Approaches"
> (NOVUS/RCA/Sony/BMG)
>
>
>
>
> 4
> PM
>
> new - ROBERTO
> FONSECA
> Congo Árabe
> "Zamazu"
> (Enja/Justin Time)
>
> new - DIANE
> HUBKA
> Manha de Carnaval
> "Goes to the Movies"
> (18th & Vine)
>
> new - BILLY
> VALENTINE
> My Foolish Heart
> "Travelin' Light"
> (Primrose Lane Music)
>
>
> BREAK
>
> LENNY SOLOMON
> BAND
> Rockabilly Kid
> "Maybe Today"
> ( www.solomonband.com )
>
> new - THE CHIP STEPHENS
> TRIO Passion Dance
> "Holding on to what Counts"
> (Capri)
>
> THE OUT TO LUNCH
> QUINTET Gazzelloni
> "Live at the Artists' Quarter"
> (Jazz Police)
>
>
> BREAK
>
> BARNEY MCCLURE
> TRIO Blues
> in da Groove
> "Spot"
> (OA2)
>
> request -
> LEDISI
> Blues in the Night
> "Compilation: We All Love Ella"
> (Verve/UMG)
>
> ETTA JAMES/EDDIE
> "CLEANHEAD" VINSON Baby, What You Want Me to Do?
> "The Late Show"
> (Fantasy/CMG)
>
>
>
> Most of the music we play is available through
> a link on our web site to CD Universe or from the CD Baby site
>
>
>
>
> ****************
>
>
> We report our jazz, world, electronic, reggae and
> breaking genre spins to the JPL - the Jazz
> Programmers List ( www.jazzweek.com ). Our top
> 10 jazz, 5 jazz adds and top 10
> world/international spins go to CMJ - the College
> Music Journal ( www.cmj.com ). We also report our
> top 10 jazz spins to
> eJazzNews (
> www.ejazznews.com ). Our jazz and folk plays go
> to Roots Music Report ( www.rootsmusicreport.com
> ) and our folk spins are also sent to the
> FOLKDJ-L list ( www.folkradio.org ). Blues spins
> go to Living Blues magazine ( www.livingblues.com ).
>
>
>
>
> ¤¤¤¤¤¤¤¤
>
>
>
> PLEASE SEND ALL PROMOTIONAL
> MATERIAL TO:
>
> WNMC
> attn: any of our music directors
> 1701
> East Front Street
> Traverse
> City MI 49686-3061
>
>
>
>
> ¤¤¤¤¤¤¤¤
>
>
>
> Station Manager: Eric
> Hines.................................................................
> ..........ehines at message.nmc.edu
>
> MUSIC DIRECTORS: Tom "Biz" Bisard:
> Jazz..............................................mrbiz at torchlake.com
> Jen
> Medlin-Lloyd: Avant Garde Jazz/Alt
> Country.....JEMedlin at message.nmc.edu
> Linnaea
> Melcarek: World / International....................lmelcarek at gmail.com
> Bob Brown:
> Folk / Americana / Acoustica................folkbob60 at yahoo.com
> Leroy
> Alvarez:
> Blues..................................................lalvarez at messag
> e.nmc.edu
> Marco
> Dedenbach:
> Reggae......................................rasmarco at aol.com
> Michael
> Lloyd:
> Rock...................................................MLloyd at message.
> nmc.edu
> Mike King:
> Dance /
> HipHop........................................mking at message.nmc.edu
> Brian
> Caughell: Electronic/Breaking
> Genre..............briancaughell at gmail.com
> David
> MacArthur: New
> Age.......................................cdbirdee at yahoo.com
> Sandy
> Blumenfeld: Local
> Music...............................MBLU11214 at aol.com
> Paul Leon:
> Native American
> Music...........................walking_buffalo_spirit at yahoo.com
>
>
>
> Phone:
> 231-995-1090 (studio line)
>
> 231-995-1091
> (deejays line - not always answered)
>
> 231-2562
> (office line - not always answered)
>
>
>
> ------------------------------
>
> Message: 22
> Date: Fri, 27 Jul 2007 18:04:54 -0700 (PDT)
> From: "Nick Francis" <nfrancis at kplu.org>
> Subject: RE: [JPL] New Music - Ricky made some excellent points...
> To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
> Message-ID: <52379.192.168.1.71.1185584694.webmail at 192.168.1.71>
> Content-Type: text/plain; charset="UTF-8"
>
>
>
>
> Ricky - Thanks for the kind words. Your point of view was helpful
> here. Would love to catch up with you sometime.
>
> Â
>
> Mitchell - As I noted in my initial posting, I am well aware of the
> issues that promo people face in this day and age;Â but from my
> long-term perspective as a broadcaster, it was a fair question to
> ask.Â
>
> Â
>
> BTW- my son just graduated from UGA in the Spring; he was the Ops
> Director at WUOG for nearly two years. He helped build a board for
> the production room with the old dude Wilbur, the engineer who
> helped put the station on the air. Another old radio acquaintance
> of mine, Mike Henry, also worked at WUOG way back when.
>
> Go Dawgs.
>
> Â
>
> Nick
>
>
>
> -----Original Message-----
> From: Mitchell Feldman <MitchellFeldman at Comcast.net>
> Sent: Fri, July 27, 2007 3:38 pm
> To: Jazzweek <jazzproglist at jazzweek.com>
> Subject: [JPL] New Music - Ricky made some excellent points...
>
> +++++++++++++++++++++++++++++++
>
> Thanks for your insightful comments, Ricky - especially about the
> growing online audience (I have people who tune in regularly who live
> in SF and Manhattan where there certainly is no dearth of
> opportunities to hear jazz and creative radio programming) and those
> I excerpted below. This the same message clear and compelling you
> passed along to me almost 30 years ago when I was music and then jazz
> director of WUOG in Athens, GA and you were promoting the then
> awesome WB and affiliated labels (ECM!) jazz catalogue. You were so
> inspiring, took this college kid seriously and one of the key people
> if not the first record industry pro to encourage me to pursue a
> career involving jazz. The model you presenting of promoting the
> music is always fresh in my mind as I work on a weekly basis with
> college radio stations.
>
> Mitchell
>
>
> ------------------------------
>
> Message: 23
> Date: Fri, 27 Jul 2007 21:52:30 -0400
> From: "Peter Solomon" <psolomon at ideastations.org>
> Subject: [JPL] Playlist: WCVE-FM Jazz Friday July 27, 2007
> To: jazzproglist at jazzweek.com, " " <mcpro at eathlink.net>
> Message-ID:
> <fc.0010c76000abcfd30010c76000abcfd3.abd034 at ideastations.org>
> Content-Type: text/plain; charset=ISO-8859-1
>
> Tonight's playlist from WCVE-FM, archived at ideastations.org/radio.
> Please direct cd's for airplay consideration to the address below.
> Thanks
>
> Peter Solomon
> WCVE-FM
> 23 Sesame Street
> Richmond VA 23235
> (804) 560-8171
>
> WCVE-FM Jazz Playlist Friday July 27, 2007
>
> (Valerie Capers) Odyssey - Come on Home - Valerie Capers - Columbia
> - CK
> 66670
>
> (Don Grolnick) Genie - Nighttown - Blue Note - CDP 0777 7 98689 2 6
>
> (Robin and Rainger) If I Should Lose You - Mulgrew Miller Live at the
> Kennedy Center - Maxjazz - MXJ 217
>
> (K. Hanna, H. Levy) Who Cares about April - The Song Is June - June
> Christy - Capitol Jazz - CDP 7243 8 55455 2 8
>
> (Grant Greenery) Green's Greenery - Grantstand - Grant Green - Blue
> Note -
> CDP 7 46430 2
>
> (Tommy Flanagan) Eclypso - The Cats - Tommy Flanagan, John
> Coltrane, Kenny
> Burrell - Prestige/New Jazz - OJCCD-079-2
>
> (Mark Soskin) One Hopeful Day - One Hopeful Day - Kind of Blue - 10019
>
> 8:01 NPR News
>
> (Roberto Fonseca) Tierra En Mano - Zamazu - Roberto Fonseca - Enja/
> Juston
> Time - JENJ-3328-2
>
> (Herbie Nichols) 'Orse at Safari - Herbie Nichols: The Complete
> Blue Note
> Recordings Volume 3 - Blue Note - CDP 7243 8 59355 2 7
>
> (Brodszky, Cahn) Be My Love - Kenny Dorham Quintet - Debut Records -
> OJCCD-113-2
>
> (Pozo, Fuller) Tin Tin Deo - The Best of Art Pepper - Contemporary -
> CCD-5714-2
>
> (Manuel Valera) Azulado - Vientos - Manuel Valera - Anzic records -
> 8101
>
> (John Lewis) No Happiness for Slater - Odds Against Tomorrow - John
> Lewis
> - Signature/Sony - AK 47487
>
> (Charles Mingus) Nostalgia in Times Square - First Flight out -
> Charles
> McPherson - Arabesque Jazz - AJ 0113
>
> (Freddie Hubbard) Thermo - Caravan - Art Blakey and the Jazz
> Messengers -
> Riverside - OJCCD-038-2
>
> (Dmitri Tiomkin, Ned Washington) Return to Paradise - Here's to Life -
> Shirley Horn - Verve - 314 511 879-2
> 9:01 NPR News
>
> (Roy Eldridge) Polite Blues - Benny Carter: New Jazz Sounds/The Urbane
> Sessions - Benny Carter - Verve - 314 531 637-2
>
> (Don Redman, Ray Gilbert) Cherry - Further Definitions - Benny
> Carter -
> Impulse - IMPD-229
>
> (Nat King Cole) Pitchin' up a Boogie - The Complete Capitol
> Recordings of
> the Nat King Cole Trio - Mosaic - 138- Disc 1
>
> (Ellington) Pitter Panther Patter - Solos, Duets and Trios - Duke
> Ellington - Bluebird - 2127-2 RB
>
> (Jellyroll Morton) Chicago Breakdown - Louis Armstrong Volume IV:
> Louis
> Armstrong and Earl Hines - Columbia/Legacy - CK 45142
>
> (Heyman, Lawnhurst) Mutiny in the Parlor - The Lion Roars! - Willie
> the
> Lion Smith - ASV/Living Era - CD AJA 5272
>
> (Whiting, Moret) She's Funny That Way - Coleman Hawkins: a
> Retrospective
> 1929-1963 - Bluebird - 07863 66617-2
>
> (J. King) How Am I to Know? - Pastorale - Steve Kuhn - Sunnyside - SSC
> 1175
>
> (Green, Heyman, Sour, Eyton) Body and Soul - I Left My Heart
> - Red
> garland - 32Jazz - 32107
>
> (Fisher, Gallop, Higginbotham) No Good Man - Witchery - Jeremy Manasia
> -Cellar Live - CL 050307
>
>
>
>
> ------------------------------
>
> Message: 24
> Date: Fri, 27 Jul 2007 23:15:21 -0400
> From: "louisx" <louisx at verizon.net>
> Subject: Re: [JPL] New Music - Ricky made some excellent points...
> To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
> Message-ID: <001c01c7d0c5$8c59ab50$0400a8c0 at LousComputer>
> Content-Type: text/plain; format=flowed; charset=Windows-1252;
> reply-type=response
>
> "Just Jazz" with Ed Beach!...I was just a kid when he was on, but
> he pulled
> me in like a magnet. Great stuff...
>
> ----- Original Message -----
> From: "Len Dobbin" <lendobbin at sympatico.ca>
> To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
> Sent: Friday, July 27, 2007 7:14 PM
> Subject: Re: [JPL] New Music - Ricky made some excellent points...
>
>
>> This Week's JPL Sponsor: Lisa Hilton ''The New York Sessions''
>>
>> For pianist and producer Lisa Hilton's latest recording, ''The New
>> York
>> Sessions'', Hilton assembled a group of true jazz royalty, but it
>> took a
>> little bit of luck. Hilton recalls meeting trumpeter Jeremy Pelt:
>> ''We
>> chatted at Dizzy's in Manhattan, and later when I asked him to
>> record, he
>> remembered me and agreed to play, along with drummer Lewis Nash.
>> Recording on a Sunday and Monday, also allowed Hilton to work with
>> in-demand bassist Christian McBride, and Steve Wilson on sax.
>> ''These
>> musicians, and my engineer, Al Schmitt, are the best: they are a
>> 'Dream
>> Team''', Hilton comments, ''and the music sounds terrific.'' ''The
>> New
>> York Sessions'' has an August release date with Koch Distribution.
>>
>> +++++++++++++++++++++++++++++++
>>
>> Re: Ed Beach - THE jazz dj in my estimation.
>> An inspiration!
>>
>> Len Dobbin
>> ----- Original Message -----
>> From: "Mitchell Feldman" <MitchellFeldman at Comcast.net>
>> To: "Jazzweek" <jazzproglist at jazzweek.com>
>> Sent: Friday, July 27, 2007 6:38 PM
>> Subject: [JPL] New Music - Ricky made some excellent points...
>>
>>
>>
>>
>> as a young listener i could enjoy hearing ed beach spin yarns and
>> very old
>> records to the exclusion of almost anything from the most recent
>> couple of
>> decades: the context of his show [within WRVR/New York] and his
>> wealth of
>> knowledge, dedication and passion made it riveting, and i was a
>> fusion fan priomarily
>> at the time!
>>
>> JAZZ will be moved forward in part by GREAT radio stations playing
>> Jazz. we
>> are fortunate to have some number of those. satellite and online
>> radio are
>> forces to be reckoned with, now and forever. they point to the
>> possibilities of
>> a "world" where you can have splinter jazz formats.
>>
>> whatever your vision or mission for your jazz programming, strive to
>> do it in the most professional way possible. be creative, break new
>> ground. break
>> down your competition (any radio station that has listeners!) what do
>> they dothat works--thats truly excellent?(and might be
>> appropriate) how
>> can
>> that beadapted to your station?
>>
>> and mitchell--dont be scared by nick's comments. my money is on him
>> contributing to ongoing larger success at KPLU. perhaps one of the
>> other area station will begin programming all new jazz material.
>> wouldn't
>> that be a win
>> for the folks in the northwest--having more choices, more flavors,
>> more
>> jazz!
>>
>> keep swinging.
>> ricky schultz
>> jazz consultant
>>
>>
>>
>>
>>
>>
>> +++++++++++++++++++++++++++++++
>>
>> Send jazzproglist mailing list submissions to
>> jazzproglist at jazzweek.com
>>
>> To subscribe or unsubscribe via the World Wide Web, visit
>> http://lists.jazzweek.com/mailman/listinfo/jazzproglist
>> or, via email, send a message with subject or body 'help' to
>> jazzproglist-request at jazzweek.com
>>
>> You can reach the person managing the list at
>> jazzproglist-owner at jazzweek.com
>>
>> Delivered to: louisx at verizon.net
>>
>
>
>
>
> ------------------------------
>
> Message: 25
> Date: Fri, 27 Jul 2007 21:53:24 -0600
> From: "Peter Poses" <pposes at earthlink.net>
> Subject: [JPL] KRFC FT COLLINS - The 07/27/07 "PlayList" of Peter L.
> Poses, Host of "OverNight Jazz: The Soundz Of Surprize" ---
> www.krfcfm.org
> To: "Jazz Programmers List" <jazzproglist at jazzweek.com>
> Message-ID: <JDEGKPOFJLGCFHPKBGPJEEOOEIAA.pposes at earthlink.net>
> Content-Type: text/plain; charset="us-ascii"
>
> Approx. 80% (NEW RELEASES) - 15% (LOCAL) - Thurs., 'Round
> Midnight - Fri.,
> 6AM Peter Poses - "OverNight Jazz: The Soundz Of Surprize" -
> [pposes at earthlink.net] -
>
> ******************************************************************
>
> The 07/27/07 "PlayList" of Peter L. Poses, Host of "OverNight
> Jazz: The
> Soundz Of Surprize" from 'Round MidNight Thurzz. to 6AM Fri. on
> KRFC FT
> COLLINS (CO), "Come Together" on "Home Grown Community Radio" ---
> 88.9FM --- www.krfcfm.org. Poses is Associate Editor of "The Rocky
> Mountain Jazz Beat", contributin' a weekly column, "The "SOS" "(The
> Soundz Of Surprize") for www.rockymountainjazz.com, The Jazz.com for
> N. CO & The Front Range, Ned Radinsky, Publisher/Editor-In- Chief
> and
> Jazz Photographer.
>
> *****************************************************************
>
>
> Themezz: Summertime; Relationships; Now & Then; BaseBall.
>
> Up-Comin' CO Gigzz: Richie Cole; Terell Stafford; Peter Bernstein;
> Greg
> Harris Vibe Five (CD Release); Rene Marie Benefit & CD Release);
> Giacomo
> Gates, Bill Frisell, & John Scofield; & The Telluride Jazz
> Festival; Joni
> Janak/CenterPiece & The EverGreen Jazz Festival; Matt Wilson & The
> Arts &
> Crafts Band And The Vail Jazz Festival; & Mel Martin.
> For more info, check "The Monthly Calendar" & "News" on
> www.rockymountainjazz.com.
>
> CO CD/Artist/Label Releases: Bob Hamilton (Capri); Richie Cole & Don
> Friedman (Jazz Excursion); Mel Martin-Benny Carter Quintet and Bob
> Lark &
> Friends (Jazzed Media); Greg Harris (S-p/Greg Harris Music); Joni
> Janak &
> CenterPiece (JLE) and Rene Marie (S-P).
>
> ********************************************************************
> ********************************************************************
>
> OVER 80% OF THIS "PLAYLIST" ARE NEW RELEASES = (*); 15% - LOCAL =
> (*L*).
>
>
>
>
> (Artist - Track - Album - Label)
>
> 1ST HR. --- ('Round MidNight - 1 AM).
>
> Wes Montgomery - 'Round Midnight - Complete: Live! In Paris 1965 (2
> CD'zz) - Definitive Records
> Joan Stiles - The Brilliant Corners Of Thelonious' Jumpin' Jeep -
> Hurly-Burley -
> - Oo-Bla-Dee(*)
> Dayna Stehens - On The Road - The TimeLess Now - CTA(*)
> Marsha Campagne - Jobim Medley - Caminos Cruzados = CrossRoads -
> Impetus
> Recs(*)
> Sam Yahel - Night Game - Truth And Beauty - Origin(*)
> Paul Zauner - Come Rain, Come Shine - P.Z's. Blue Brass' Soil -
> BluJazz(*)
> Kristin Korb - Estate (Summer) - Why Can't You Behave? -
> Double K
> Recs(*)
>
> 2ND HR. --- (1 - 2AM).
>
> Morrie Louden - Tunamo - Time Piece -MoSound(*)
> Karl Latham - Spanish Magic Castle - Resonance - DropZoneJazz(*)
> Lisa Hilton - Both Sides Now - The New York Sessions - Ruby
> Slippers
> Recs(*)
> David Sills - Summer Cloud - Green - Origin(*)
> Todd Isler - Just Wait - Soul Drums - S-P/Takadimi Tunes(*)
> (*L*) Bob Hamilton - Grace - WixWax - Capri(*)
> Abbey Lincoln - It's Supposed To Be Love - Abbey Sings Abbey -
> Verve(*)
> Jan A,P, Kaczmarek/Anita O'Day - Memories Of The Evening - Evening
> (The Movie SoundTrack) - Verve(*)
> Roberto Fonseca -Ismael - Zamazu - Enja/Justin Time(*)
> Joanne Miller - Two Sleepy People - C'est Manifique: Montreal Sings:
> 1953-1968 -
> - Justin Time(*)
>
> 3RD HR. --- (2 - 3AM).
>
> Jose Rizo & The Latin Jazz All-Stars - Yes Or No - Tambolero -
> Saungo(*)
> Kristin Korb - Cubano - Why Can't You Behave? - Double K Recs(*)
> (*L*) Rene Marie - Weekend - experiment in truth - S-P(*)
> Alvin Queen - Old Folks - I Ain't Looking At You - Enja/Justin Time
> (*)
> Gil Evans/Miles Davis - It Ain't Necessarily So - Porgy & Bess -
> Columbia
> Legacy
> Robert Irving III - Always...Something - New Momentum - Sonic
> Portraits(*)
> (*L*) Greg Harris - Lucid Dreams - frames live! - S-P/
> gregharrismusic.com(*)
>
> 4TH HR. --- (3AM - 4AM).
>
> Anita Brown Jazz Orchestra - Shifting Tides Of Montauk - 27 East -
> Lasheda
> Recs
> Kurt Elling - And We Will Fly - Night Moves - Concord(*)
> (*L*) Richie Cole - Save Your Love For Me - The Man With The Horn -
> Jazz
> Excursion(*)
> (*L*) Don Friedman - Two For The Road - a waltz for marilyn - Jazz
> Excursion(*)
> Nino Rota/Frederico Fellini - I Vitteloni - The Ultimate Best Of
> NR/FF -
> - CamJazz/SunnySide (*)
> Greg Lowe - Something - Guitar & Bass Sessions - S-P(*)
> (*L*) Bob Lark & Friends - Suggestions - Suggestions - Jazzed Media(*)
> Bob Mintzer/Gil Goldstein - Angelique & Ellen - (Longing) -
> Owl/SunnySide(*)
> Greg Duncan 5 - Black Narcissus - Unveiled - OA2(*)
>
> 5TH HR. - (4AM - 5AM)
>
> Kahil El'Zabar - Soul To Groove - Transmigration - Delmark(*)
> Lisa Markley - Fork In The Road - The Sky Is Blue & Sometimes Cries -
> SoonaSong Recs(*)
> Steve Kuhn - Once Upon A SummerTime - Pastorale - SunnySide(*)
> Donny McCaslin - Festival In Three Parts - In Pursuit - SunnySide(*)
> Kassaba - The Montagues & The Capulets - Dark Eye - S-P(*)
> Bill Frisell - The Passenger - FloraTone - EMI/Blue Note(*)
> Billie Holiday/Organica Remix - SummerTime - BH: ReMixed &
> ReImagined -
> Columbia Legacy(*)
> Billie Holiday - Gloomy Sunday - BH: The Quintessenial - V. 9 -
> Columbia
> Legacy
> (*L*) Mel Martin-Benny Carter Quintet - Just Friends - Just Friends
> (Live!
> At Yoshi's '94) - Jazzed Media(*)
>
> 6TH HR. (5 - 6AM)
>
> Anat Cohen - La Comparsa - Noir - Anzic(*)
> Diane Hubka - All God's Chillun Got Rhythm - DH Goes To The Movies -
> S-P/18TH & Vine(*)
> Pops & Ella - I Got Plenty Of Nuthin' - Porgy & Bess - Columbia
> Legacy(*)
> Ned Otter - A Gentle Breeze - Powder Keg - Two & Four Recs
> Kristin Korb - Estate (Summer) - Why Can't You Behave? - Double K
> Recs(*)
> Anthony Brown - Take Me Out To The Ball Game - Rhapsodies - Water
> Baby(*)
> Matt Wilson - Go Team Go - Smile - Palmetto(*)
> New York Hawks - Club House Stomp - Ken Burns': BaseBall - Elektra
> NoneSuch
> Matt Shulman - So It Goes - So It Goes - Jaggo(*)
> Fred Hersch - Boo Boo's BirthDay - Night & The Music - Palmetto(*)
> Ella - Please Don't Talk About Me When I'm Gone - EF: Love Letters
> From
> Ella - Concord(*)
> Manuel Valera - Rhapsodia - Vientos - Anzic(*)
> (*L*) Joni Janak & CenterPiece - CenterPiece - Get Outta Here! -
> Jazzlinkenterprises
> Giacomo Gates -SummerTime - CenterPiece - Origin
>
>
>
> ********************************************************************
>
>
> ********************************************************************
>
>
> The 07/20/07 "PlayList" of Peter L. Poses, Host of "OverNight
> Jazz: The
> Soundz Of Surprize" from 'Round MidNight Thurzz. to 6AM Fri. on
> KRFC FT.
> COLLINS (CO), "Come Together" on "HomeGrown Community Radio ---
> 88.9FM --- www.krfcfm.org. Poses is Associate Editor of "The Rocky
> Mountain Jazz Beat",contributin' a weekly column, "The SOS" ("The
> Soundz Of Surprize") for www.rockymountainjazz.com, The Jazz.com
> for N. CO
> & The Front Range,Ned Radinsky, Publisher/Editor-In-
> Chief and
> Jazz
> Photographer.
>
>
> -------------------------------------------
>
>
>
> ******************************************************************
>
>
>
>
>
>
>
> ------------------------------
>
> Message: 26
> Date: Sat, 28 Jul 2007 00:54:24 -0300
> From: Steve Schwartz <steve_schwartz at wgbh.org>
> Subject: [JPL] JzFmS4 PLAYLIST, WGBH, Boston 7/27/07
> To: JAZZ PROGRAMMERS <jazzproglist at jazzweek.com>
> Message-ID: <C2D04440.C66E%steve_schwartz at wgbh.org>
> Content-Type: text/plain; charset="ISO-8859-1"
>
> Friday, July 27, 8pm midnight, WGBH 89.7
>
> SPECIAL FEATURE: KARRIN ALLYSON (b. 7/27/1962.
> Performing in Worcester, MA. tonight;
> Scullers Jazz Club, Boston, MA on August 3rd and 4th;
> Litchfield Jazz Festival, Goshen, CT August 5th.
>
> Listed by artist: selection, album (label)
>
> 8:00pm
> THEME: Horace Parlan Quintet: Wadin', Speakin' My Piece (Blue Note)
>
> 8:05pm
> Karrin Allyson: Something Worth Waiting For; Lightening; Give Me A
> Break,
> Footprints (Concord)
>
> 8:18pm
> Gil Goldstein; Bob Mintzer: Your Story (B. Evans), Longing (Sunnyside)
> Nino Josele: Turn Out the Stars, Paz (Calle 54)
>
> 8:32pm
> Karrin Allyson: Nature Boy; Line for Lyons; Chopin Prelude/Insensatez,
> I Didn't Know About You (Concord)
>
> 8:53pm
> Gary Smulyan: Quick Silver, More Treasures (Reservoir)
> Vincent Gardner: The African Queen, The Good Book Chapter One
> (Steeplechase)
>
> 9:12pm
> Karrin Allyson: Moanin'; Long As Your Living; Evil Gal Blues,
> In Blue (Concord)
>
> 9:30pm
> New York Time; McBride; Cobb; Walton; Jackson: Naima,
> The New York Sessions (Chesky)
> Joe Lovano; Hank Jones: Soultrane, Kids (Blue Note)
>
> 9:49pm
> Frank Mantooth; featuring Karrin Allyson: If You Could See Me Now,
> Ladies Sing For Lovers (MCG Jazz)
> Marian McPartland; featuring Karrin Allyson: Twilight World,
> 85 Candles (Concord)
> Clay Jenkins; featuring Karrin Allyson: Yesterdays; In Love in Vain,
> Masters of Time (Jazz Compass)
>
> 10:15pm
> Steve Kuhn: Slow Hot Wind, Live at Birdland (Blue Note)
> Bill Charlap: While We're Young, Live at The Village Vanguard (Blue
> Note)
>
> 10:31pm
> Karrin Allyson: In A Sentimental Mood; Sweet Home Cookin' Man; Goodbye
> Porkpie Hat, Sweet Home Cookin' (Concord)
>
> 10:50pm
> Jerry Bergonzi: Pannonica, Tenorist (Savant)
> Joan Stiles: The Brilliant Corners of Thelonious'Jumpin' Jeep,
> Hurly-Burly (Oo-Bla-Dee Music)
>
> 11:06pm
> Karrin Allyson: Under Paris Skies; O Pato; Des Histoires,
>> From Paris to Rio (Concord)
> Karrin Allyson: Strollin' (w. Jon Hendricks); All You Need To Say
> (w. Nancy
> King), Footprints (Concord)
>
> 11:32pm
> Karrin Allyson: I Wish I Knew; Naima,
> Ballads: Remembering John Coltrane (Concord)
> Karrin Allyson: Good Morning Heartache, Azure Te (Concord)
> Karrin Allyson: Daydream, Daydream (Concord)
>
> 11:55pm
> Karrin Allyson: Live For Life, Collage (Concord)
>
>
>
> ------------------------------
>
> Message: 27
> Date: Sat, 28 Jul 2007 01:21:47 -0400
> From: Giz Bowe <girard.bowe at verizon.net>
> Subject: [JPL] PLAYLIST: WRIR "Bebop & Beyond with Mr Jazz" 7-22-07
> To: jazzproglist at jazzweek.com
> Message-ID: <0JLV005RTIWCD5J7 at vms046.mailsrvcs.net>
> Content-Type: text/plain; charset="us-ascii"; format=flowed
>
> Posted on behalf of Mr Jazz, Mike Gourrier
>
> I post this playlist to:
> rec.music.bluenote
> rec.music.makers.jazz
> rec.music.makers.trumpet
> Jazz Programmer's mailing list
>
> Adds and rotation plays are charted with CMJ.
>
> HOUR # 1
>
> Horace Silver/We've Got Silver @ Six/Hard Bop Grandpop/Impulse
> Ray Brown/Django/Brown,Alexander/Malone/Telarc
> Greg Duncan/Jimi H./Unveiled/OA2/2007
> Jose Rizo All Stars/Senor Olmos/Tambolero/Saungu/2007
> Frederic Yonnet/God Bless The Child/Front & Center/FYI Music/2007
> Jacky Terrason/Tragic Mulatto Blues/Mirror/Blue Note/2007
> Beatle Jazz/Look At Me /All You Need/Lightyear
> Dayna Stephens/Contagious/The Timeless Now/CTA/2007
> Abbey Lincoln/Throw It Away/Abbey Sings Abbey/Verve/2007
>
> HOUR # 2
>
> Charles McPherson/Darn That Dream/Come Fly With Me/Arabesque
> Steve Lacy/Goodbye Pork-Pie Hat/Paris Blues/Sunnyside
> Delfeayo Marsalis/Brer Rabbit/Minions Dominion/Troubadour
> Donald Byrd/That's All There Is To Love/Jazz for When You're Alone/
> 32Jazz
> Ralph Moore/Monk's Dream/Jazz For A Lazy Day/32Jazz
> Jane Bunnett/New Orleans Under Water/Radio Guantanamo/Blue Note
> Donald Brown/Gaslight/People Music/Muse
> Pete McGuinness Jazz Orchestra/Comecar De Novo/First Flight/Summit/
> 2007
>
> HOUR # 3
>
> Ron DiSalvio/Good Morning Santa Cruz/Essence of Green/Origin/2007
> Terell Stafford/Old Folks/Taking Chances/Maxjazz/2007
> Roberto Fonseca/Clandestino/Zamazu/Enja
> Bill Ransom/Sister Cheryl/Generations/BRM
> Seattle Women's Jazz Orchestra/The Mighty/Urubama/Meeting of the
> Waters/2007
> Joe Lovano-Hank Jones/Four in One/Kids/Blue Note/2007
> Zoot Sims/Do Nothing Till You Hear From Me/Zoot Suite/High Note/'07
> Joel Frahm/Spring Can Really Hang You Up/We Used To Dance/Anzic/
> 2007
>
> HOUR # 4
>
> Wes Montgomery/Bumpin/Jazz Masters # 14/Verve
> Jim Hall/You'd Be So Nice To Come Home To/Concierto/CTI
> Grant Green/Tune Up/Complete Blue Note Recordings/Mosaic
> Pat Martino/Road Song/Remember/Blue Note
> Joe Pass/I Remember You/Nuages/Pablo
> Ximo Tebar/Nica's Dream/The Champs/Sunnyside
> Kenny Burrell/Manteca/Then Along Came Kenny/Evidence
> Barney Kessel/I Hear Music/Heart and Soul/Prestige
> Russell Malone/Blue Daniel/Live @ Jazz Standard/MaxJazz
>
> Mike Gourrier, host
> "Bebop and Beyond with Mr Jazz"
> WRIR-LP 97.3 FM
> PO BOX 4787
> Richmond VA 23220
> studio line (804) 649-9737
> streaming at www.wrir.org
> Richmond Independent Radio
> Sundays 9am-11am EST
>
> ------------------------------
>
> ____________________________
> Jazz Programmers' Mailing List
> jazzproglist at jazzweek.com
> http://lists.jazzweek.com/mailman/listinfo/jazzproglist
>
>
> End of jazzproglist Digest, Vol 9, Issue 232
> ********************************************
website: www.billanschell.com
(music samples, performance schedule, short stories and more)
myspace site:
www.myspace.com/billanschell
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