[JPL] Activate your Email Subscription to: The Jazzcat

[louisx at verizon.net]

I wouldn't click on it. It looks suspicious.


----- Original Message ----- 
From: "Paul Combs" <pcomb at comcast.net>
To: <jazzproglist at jazzweek.com>
Sent: Wednesday, August 20, 2008 11:49 AM
Subject: Re: [JPL] Activate your Email Subscription to: The Jazzcat


> This week's sponsor:  Resonance Records
>
> GOING FOR ADDS NOW:
>
> Resonance Records has re-serviced MIKE GARSON's CONVERSATIONS WITH MY 
> FAMILY [ ****1/2 Downbeat '' A glowing achievement''] stickered with some 
> fine jazz tracks. This is our first official solicitation for adds (due to 
> Reference Recordings having a title out in the spring which we did not 
> want to create any conflict with).   GARSON is a piano and keyboard 
> wizard, who has worked with Stan Getz, Stanley Clarke, his band Freeflight 
> and many others. There are some gorgeous tracks ready for airplay.  As a 
> bonus, the DVD features Peter Erskine and the sadly, late great LA bass 
> player, Dave Carpenter + a preview of Resonance artist Lori Bell on flute.
>
> Resonance has just released Pittsburgh native CATHY ROCCO's debut YOU'RE 
> GONNA HEAR FROM ME. Check out her take on ''Autumn Leaves'', ''Come Rain 
> or Shine'' and ''Give Me One Reason'' (with a guest turn on organ from 
> John Beasley).   ROCCO is not some newbie-want-to-be a-jazz-singer.  ''She 
> is a formidable swinger'' Will Friedwald, New York Sun, from the liner 
> notes, which are worth a read.  Cathy is supported by Tamir Hendelman on 
> piano, Dave Carpenter on bass and Vic Stevens on drums.  CATHY ROCCO has a 
> big voice and a keen sense of drama.
>
> ...and if you haven't yet added ANDREAS OBERG MY FAVORITE GUITARS, why 
> not? as fine a guitar debut as jazz has seen this year!
>
> ++++++++++++++++++++++++++++++
>
> Ed,
>
> I do not recall seeing this before. Is this legit?
>
> Paul
>
> confirmations at emailenfuego.net wrote:
>> This week's sponsor:  Resonance Records
>>
>>
>> ++++++++++++++++++++++++++++++
>>
>> Hello there,
>>
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>> --
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>>
>>
>
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