[JPL] Re: Pronounciation inquiry
Scott Whitfield
scott at bicoastalmusic.net
Wed Dec 3 20:20:38 EST 2008
"Wheast," or "Weest."
Scott Whitfield Trombonist/Composer/Arranger/Vocalist (818) 577-8676 "Music is a very hard instrument." -- Vido Musso
--- On Wed, 12/3/08, jazzproglist-request at jazzweek.com <jazzproglist-request at jazzweek.com> wrote:
From: jazzproglist-request at jazzweek.com <jazzproglist-request at jazzweek.com>
Subject: jazzproglist Digest, Vol 10, Issue 346
To: jazzproglist at jazzweek.com
Date: Wednesday, December 3, 2008, 1:02 AM
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Today's Topics:
1. Playlist: Jazz with Don Gordon - KIPO - Honolulu - 12/1/08
(Don Gordon)
2. PLAYLIST: WNMC Jazz Spins 11.21 - 11.27 (Thomas M. Bisard)
3. WFCR Playlist/Jazz ? la Mode, December 2, 2008 (Tom Reney)
4. PUN ALERT! (Jazz Promo Services)
5. For the future of hip hop, all that glitters is not gold
teeth (Jazz Promo Services)
6. Pronounciation inquiry (Arturo Gomez)
7. You Say You Want a Revolution (at 33 1/3) (Jazz Promo Services)
8. Re: You Say You Want a Revolution (at 33 1/3)
(Jazz Promo Services)
9. Re: For the future of hip hop, all that glitters is not gold
teeth (Arturo Gomez)
10. RE: Wave Mechanics Union - Second Season (Bradley M. Stone)
11. 60th Anniversary of a tragic day in music (Arturo Gomez)
12. PLAYLIST - Afternoon Jazz w/ Jason M. Miller 91.3 KVLU
Beaumont, TX 12-02-08 (Jason M Miller)
13. FW: JAZZWEEK PLAYLIST REPORT 11/20-26/2008 WESM 91.3 FM
PRINCESS ANNE, MD (Carrigan, Yancy L)
14. PLAYLIST: WEMU Jazz 11/24-30/08 (Linda Yohn)
15. Re: Pronounciation inquiry (Peter Solomon)
16. Re: Thanksgiving (Diana Smith)
17. Playlist - The Sounds of Jazz - KRFC, 88.9fm - 12/2/2008
(eflash17 at comcast.net)
18. KRFC, Fort Collins - New Spins 11/23/2008 - 11/29/2008
(eflash17 at comcast.net)
19. Top Picks 2008 (Jae Sinnett)
20. Rokia Traor?. (Peter Solomon)
21. Playlist: Jazz from Gallery 41; Tuesday 2 December 2008; 4 PM
to 6 PM Pacific (Ron J Pelletier)
22. PLAYLIST - WSHA 12/1/08 Straight No Chaser (Susan Reeves)
23. PLaylist WCVE-FM Jazz Tuesday December 2 2008 (Peter Solomon)
24. PLAYLIST-Wynton Kelly & Jazz for Tuesday December 2, 2008
with George Thomas (George Thomas)
25. Unconscious Desires playlist from KSJS 90.5 FM (kevin ariente)
Jazz with Don Gordon
KIPO - Honolulu -Monday December 1, 2008
8:00pm - Midnight
Please direct CD's for airplay consideration to:
Don Gordon
KIPO
738 Keheka Street
Honolulu, HI 96814
www.dongordon.net
8:00pm
Rob McConnell - Big Band Christmas - What Are You Doing New Year's Eve? -
(Concord)
*Dan Cray - Over Here Over Heard - Moon River - (Crawdad)
Béla Fleck & The Flecktones - The Hidden Land - Weed Whacker - (Columbia)
Oleta Adams - Circle Of One - Get Here - (Fontana)
*Phil Norman - "Totally" Live At Catalina Club - Frothy - (MAMA)
Charles Earland - The Almighty Burner - More Today Than Yesterday - (32 Jazz)
Russell Malone - Sweet Georgia Peach - Mean What You Say - (Impulse)
*Robin McKelle - Modern Antique - Cheek To Cheek - (Cheap Lullaby)
9:00pm
*South Florida Jazz Orchestra - SFJO - Blues Gumbo - (MAMA)
Willie Martinez - After Winter, Spring - Anthony - (Cuch Be Witcha)
Stan Getz - Apasionado - Midnight Ride - (A&M)
*Anat Cohen - Notes From The Village - Jitterbug Waltz - (Anzic)
Ron Escheté - In The Middle - Bluesette - (Rev Jazz)
Marvin Stamm - Elegance - But Beautiful - (TNC)
Jeff Linsky - California - Sonoma - (Concord)
10:00pm
Tom Scott - Smokin' Section - TCB In "E" - (Windham Hill)
Cedar Walton - Seasoned Wood - The Man I Love - (HighNote)
*Natalie Cole - Still Unforgettable - Here's That Rainy Day - (dmi)
Brazilian Trio - Forests - Pro Zeca - (Zoho)
Philippe Saisse - My Favorite Songs - Sorry Seems To Be The Hardest Word -
(441)
Claudio Roditi - Impressions - Bye Bye Blackbird - (Groovin' High)
Carl Saunders - Can You Dig Being Dug? - Can You Dig Being Dug? - (ItsusJazz)
Jeff Richman - Aqua - Where I Belong - (self-release)
11:00pm
Vanguard Jazz Orchestra - Monday Night Live - St. Louis Blues - (Planet Arts)
Joe Romano - This Is the Moment - This Is The Moment - (JR)
Steve Allee - Dragonfly - Conversation With Bill - (Owl)
Chris Stewart - Phoenix - Hi-Fly - (Tempest)
*Antonio Ciacca - Rush Life - Rush Life - (Motéma)
*David Sanborn - Here & Gone - Stoney Lonesome - (Decca)
*Recent release
WNMC 90.7 FM
1701 E Front St
Traverse City MI
49686-3016
WNMC Jazz Spins
Tracked to 3 Spins
7 SPINS
WAYNE WALLACE LATIN JAZZ QUINTET
"Infinity"
(Patois)
6 SPINS
CHET BAKER w/ THE BRADLEY YOUNG TRIO
"Chet in Chicago"
(Enja)
BRAD GOODE
"Polytonal Dance Party"
(Origin)
LARRY MCDONOUGH QUARTET
"Simple Gifts"
(www.larrymcdonoughjazz.homestead.com)
THE JAMES MOODY AND HANK JONES QUARTET
"Our Delight"
(IPO)
MCCOY TYNER
"Guitars"
(Half Note)
5 SPINS
JOE LOCKE
"Force of Four"
(Origin)
WAVE MECHANICS UNION
"Second Season"
(HX Music/www.progjazz.com)
4 SPINS
COMPILATION
"Delmark - 55 Years of Jazz"
(Delmark)
JAVON JACKSON
"Once upon a Melody"
(Palmetto)
SHEILA JORDAN
"Winter Sunshine"
(Justin Time)
RICH LAMB
"Music Along the Way"
(Hozro Morning Music/www.alongthewathome.com)
JO LAWRY
"I Want to Be Happy"
(Fleurleu Music/www.jolawry.com)
CHIP MCNEILL
"Four Steps 3"
(Capri/w.chipmc.uiuc.edu)
PETE SOMMER & RICH PERRY
"Crossroads"
(Capri)
3 SPINS
BIO RITMO
"Bionico"
(Locutor/www.bioritmo.com)
FRANK CATALANO
"Bang!"
(Savoy Jazz)
K J DENHERT
"Live at the Umbria Jazz Festival"
(Motema/www.kjdenhert.com)
FIVE PLAY
"What the World Needs Now"
(Arbors Jazz)
GENERATIONS
"Tough Guys"
(International Center for the Arts/www.ica.sfsu.edu)
DAVE HOLLAND SEXTET
"Pass It On"
(Emarcy/Decca/UMG/www.daveholland.com)
THE CHRISTIAN JACOB TRIO
"Live in Japan"
(Wilder Jazz)
ROGER KELLAWAY
"Live! At the Jazz Standard"
(IPO)
KATE MCGARRY
"If Less Is More…Nothing Is Everything"
(Palmetto)
SONNY ROLLINS
"Road Shows, Vol. 1"
(Doxy/Emarcy/Decca/UMG)
IDIT SHNER
"Tuesday's Blues"
(OA2/www.iditshner.com)
THE STRYKER /SLAGLE BAND
"The Scene"
(Zoho)
TAKE 6
"The Standard"
(Heads Up/CMG/www.take6.com)
THE WARREN VACHE - JOHN ALLRED QUINTET
"Jubilation"
(Arbors Jazz)
BEBO VALDES & JAVIER COLINA
"Live at The Village Vanguard"
(54/Eventus/Sony/BMG)
THE JOHNNY VARRO SWING 7
"Ring dem Bells"
(Arbors Jazz)
SKIP WILKINS QUINTET
"The Paint-Peeler"
(Dreambox Media/www.skipwilkinsjazz.com)
WFCR Playlist/Jazz à la Mode, Tuesday, December 2, 2008
Wynton Kelly, b. 12/2/31; http://en.wikipedia.org/wiki/Wynton_Kelly Wikipedia
entry;
http://www.youtube.com/watch?v=hBwrv6RtvtA You Tube clip of John Coltrane and
Wynton Kelly Trio;
http://hardbop.tripod.com/wynton.html Hard Bop Homepage feature
Wynton Kelly, piano***
8:00 PM Wynton Kelly Piano Dark Eyes (alt.) Riverside 1958
8:06 PM Cassandra Wilson Loverly Lover Come Back to Me Blue Note 2008
8:10 PM Randy Sandke Unconventional Wisdom Just One of Those Things Arbors 2008
8:15 PM Ahmad Jamal It's Magic Back to the Island Dreyfus 2008
8:23 PM Wynton Kelly Piano Interpretations Cherokee Blue Note 1951
8:26 PM Wynton Marsalis Standard Time Vol. 1 Cherokee Columbia 1987
8:29 PM John Coltrane Coltrane Jazz Little Old Lady Atlantic 1959 ***
8:33 PM Benny Golson The Complete Farmer/Golson Sessions Three Little Words
Mosaic 1962 ***
8:38 PM Betty Carter I Can't Help It You're Getting to Be a Habit With
Me Impulse 1956 ***
8:43 PM Abbey Lincoln That's Him Strong Man Riverside 1957 ***
8:48 PM Roy Hargrove Earfood Speak Low EmArcy 2008
8:53 PM McCoy Tyner Guitars Contemplation Half Note 2008
9:04 PM Wynton Kelly Piano Whisper Not Riverside 1958
9:11 PM Wynton Kelly Piano Action Riverside 1958
9:18 PM Wynton Kelly Piano Dark Eyes Riverside 1958
9:26 PM Miles Davis Friday Night at the Blackhawk Oleo Columbia 1961 ***
9:34 PM Cannonball Adderley Takes Charge I've Told Ev'ry Little Star
Capitol Jazz 1959 ***
9:37 PM Hank Mobley Another Workout The Best Things in Life Are Free Blue Note
1961 ***
9:43 PM Cannonball Adderley Quintet in Chicago Stars Fell on Alabama EmArcy
1959 ***
9:49 PM Sonny Rollins Newk's Time Namely You Blue Note 1957 ***
9:55 PM David Berger I Had the Craziest Dream Boulevard of Broken Dreams Such
Sweet Thunder 2008
9:59 PM Anat Cohen Notes From the Village Siboney Anzic 2008
10:09 PM Wynton Kelly Piano Strong Man Riverside 1958
10:14 PM Wynton Kelly Piano Ill Wind Riverside 1958
10:19 PM Wynton Kelly Piano Don't Explain Riverside 1958
10:24 PM Wynton Kelly Piano You Can't Get Away Riverside 1958
10:32 PM Sonny Rollins Road Shows Some Enchanted Evening Doxy/EmArcy 2008
10:41 PM Andy Bey Ain't Necessarily So Ain't Necessarily So 12th Street
2007
10:48 PM Joe Lovano Symphonica I'm All for You Blue Note 2008
10:58 PM Wynton Kelly Piano Interpretations Moonlight in Vermont Blue Note 1951
Tom Reney
"Jazz à la Mode"
Monday-Friday, 8 - 11 p.m.
WFCR
NPR News and Music for Western New England
Hampshire House
131 County Circle
Amherst, MA 01003-9257
tr at wfcr.org
www.wfcr.org
413-545-3220 office
413-545-2546 fax
PUN ALERT!
> 1. The roundest knight at King Arthur's round table was Sir
Cumference. He
> acquired his size from too much pi.
>
> 2. I thought I saw an eye doctor on an Alaskan island, but it turned out
to
> be an optical Aleutian.
>
3. She was only a whisky maker, but he loved her still.
4. A rubber band pistol was confiscated from algebra class because it was a
weapon of math disruption.
5. The butcher backed into the meat grinder and got a little behind in his
work.
6. No matter how much you push the envelope, it'll still be stationery.
7. A dog gave birth to puppies near the road and was cited for littering.
8. Two silk worms had a race. They ended up i n a tie.
9. Atheism is a non-prophet organization.
10. Two hats were hanging on a hat rack in the hallway. One hat said to the
other, 'You stay here, I'll go on a-head.'
11. I wondered why the baseball kept getting bigger. Then it hit me.
12. A sign on the lawn at a drug rehab center said:
'Keep off the Grass.'
13. A small boy swallowed some coins and was taken to a hospital. When his
grandmother telephoned to ask how he was, a nurse said,
'No change yet.'
14. A chicken crossing the road is poultry in motion.
15. The short fortune-teller who escaped from prison was a small medium, at
large.
16. The man who survived mustard gas and pepper spray is now a seasoned
veteran.
17. When cannibals ate a missionary, they got a taste of religion.
18. Don't join dangerous cults, practice safe sects!
http://www.nydailynews.com/opinions/2008/12/01/2008-12-01_for_the_future_of_
hip_hop_all_that_glitt.html
For the future of hip hop, all that glitters is not gold teeth
Monday, December 1st 2008, 4:00 AM
It continues to appear that the cool and highly intelligent Barack Obama is
going to have a powerful impact on debilitating black popular culture,
particularly hip hop. The signs are everywhere.
In the wake of Byron Hurt's searing documentary "Hip Hop: Beyond Beats
and
Rhymes," hip-hop fans have questioned the retarding effect that hip hop
has
had on young black men through encouraging thuggish violence, misogyny,
clownish behavior and crude materialism.
Hurt's documentary is most powerful because the filmmaker himself is a fan
of the idiom but, as a grown and responsible man, he felt it was necessary
to call out hip hop's many shortcomings because the idiom had moved from
clever rhymes and dance beats to advocating personal, social and criminal
corruption.
Those who pretend that they do not know what Hurt is investigating because
"that is not ALL of hip hop" need to take note of the fact that
Russell
Simmons, the godfather of hip hop, recently blamed the deep vulgarization of
the genre on producers who would do anything for a buck. "Some producers
have found that dirt sells," says the godfather. How now, brown cow?
Simmons is nothing if not clever and senses that the arrival of Barack and
Michelle Obama could mean things are going to change. One would not at all
be smart to defend the "authenticity" of pimps, supposed whores (all
women,
actually), misogyny, thuggery and the rest. Pimps up, ho's down, as they
say.
Before he was elected President, Obama said in an interview with MTV News
that there was no need for laws against teenage hip-hop dress but that young
black men "should pull up their pants."
A friend of mine who lives in California remarked to his grandson that he
did not like the way rappers dressed or carried themselves. His grandson
told him that he needs to stop living in the past and catch up before the
plane leaves.
My friend noticed, as usual, that his grandson did not dress or carry
himself in the style or manner he was defending. So he decided to ask him
some questions. Shoot, said the young man, ready to straighten out his
grandfather.
If you were on a plane waiting to take off, my friend asked him, and the
pilot and the co-pilot came on with their pants sagging to the ground,
covered with tattoos, mouths full of gold teeth and wearing braids, what
would you do? His grandson told him he would get off the plane as fast as he
could. No doubt.
My friend then asked if his grandson's baby daughter had been hurt and she
was taken to the emergency room, how would he feel if the doctors on duty
looked like the men about to fly the plane. "I would," said the
younger man,
"get her the hell out of there."
At that point, my friend wondered what would happen to young black men who
showed up looking for work but seemed more ready for a hip-hop performance
than for a job?
The answer: They probably would not get hired. Case closed.
I believe our next President will elevate many things in our country, top to
bottom. On the pop cultural end, Barack and Michelle Obama's worldliness
and
common sense will greatly diminish the national appetite for and the defense
of those who proudly commit intellectual suicide by submitting to
anti-intellectual stances and the surface styles that repel across all
ethnic lines. We are on the way out of the muck. Ask Russell Simmons. Good
hustlers always know when the game is changing.
crouch.stanley at gmail.com
I am digging the latest by trombonist Steve Wiest who always releases
stimuating music, is his surname pronounced whyst or wheast?
An in advance thank you
Arturo
http://www.nytimes.com/2008/12/02/technology/techspecial2/02table.html
December 2, 2008
You Say You Want a Revolution (at 33 1/3)
By ROY FURCHGOTT
WHEN Melissa Walker, 31, was growing up, vinyl records were nostalgic
artifacts. But when three crates of LPs were left in an apartment she had
rented, a $10 thrift store record player turned those records into a kitschy
novelty. And when her boyfriend bought her a Rega P1 turntable and a Bill
Evans jazz album for her 30th birthday, playing the records became a daily
ritual.
³Dave brought it home, and we dimmed the lights and sat on the couch with a
glass of wine, and I felt like we were in a jazz club,² Ms. Walker said. ³I
could hear the musicians breathing. It felt like I could hear them smoking.²
Now she holds listening parties in her Brooklyn apartment, introducing
friends to the rich sound of vinyl. ³There is something I like about the
process of listening that way,² she said. ³Having to listen to it in the
order the musicians intended, and turning it over. There is something social
about it.²
Sales of new LPs show that Ms. Walker isn¹t the only one rediscovering
vinyl. While CD sales dropped last year, sales of records were up 36
percent, although they are still a minuscule part of the music market.
All those records have to be played on something. And when it comes to
turntables ‹ no one would dare call them record players these days ‹ there
are many options, from bare-bones $99 models to ultra-high-end audiophile
equipment with price tags of $100,000 or more.
There are so many choices, in fact, that it can be tough for a shopper to
know where to begin. ³You can buy too much turntable or too little turntable
for the rest of your equipment,² said John-Paul Lizars, marketing director
at Sumiko, which imports and distributes turntables. He recommends investing
about a third of your equipment budget in a turntable. ³I urge people to get
the best turntable, cartridge and phono preamp as they can,² Mr. Lizars
said, ³because if you don¹t capture the content at the source, no other
component can enhance it.²
A turntable is a basic piece of equipment ‹ a motor turns a platter on which
the record sits, and a tone arm holds a needle and a cartridge. The needle
wiggles as it rides the record¹s groove, and the cartridge converts those
vibrations to electrical signals that go to an amplifier.
But in those few parts lies a world of variation.
Modern turntables are usually either direct drive or belt drive. Direct
drive has been popular with radio and club D.J.¹s because the record gets up
to speed very quickly. The downside is that motor rumbles can be audible on
lesser models.
Belt drive is more common, with a rubber belt insulating motor noise from
the platter. Belt drive turntables can require maintenance (belts
occasionally wear out), and they can be less precise, causing speed
variations heard as wow and flutter. But that is not a problem in
audiophile-quality equipment, said Ed Dorsey of Soundscape, an audio
boutique in Baltimore. ³The wow and flutter is so small, the average person
isn¹t going to hear it, only the musician with perfect pitch.²
Less expensive turntables, like the Denon DP-29F, which lists for $150, and
the Pioneer PL-990, which lists for $130, generally come with permanently
installed cartridges. That means no souping-up the turntable with
aftermarket parts.
But adding a new cartridge is the most common way to improve a stock
turntable. ³Most of the time turntables come with an entry-level cartridge,²
said Ken Bowers, manager of Needle Doctor, near Minneapolis. A better
cartridge will get more information from the record groove for more detailed
sound, he said.
As prices go up, the quality of the parts improves. The turntable bases,
instead of hollow plastic, are made of metal or dense wood, which dampen
vibrations. ³You¹ll get tighter bass, better imaging, more detail,² Mr.
Bowers said.
On high-end equipment, motors tend to be heavier and more precise, the
bearings in the tone arms present less friction, and the level of
craftsmanship is higher. ³You are buying build quality, you are buying
precision,² Mr. Lizars said.
Once again, more precision means more detailed sound. The price of
turntables with solid bases and replaceable cartridges generally begins
around $300. Ms. Walker¹s Rega P-1 and the Pro-Ject Debut III, which is
imported by Sumiko, both list for $350 to $400.
To those audiophiles returning to vinyl, that may seem like a small price
for high-fidelity quality, but like all things technological, turntables
have become cheaper and better. ³The $300 turntable of today is vastly
superior to the $300 of 20 years ago,² Mr. Lizars said.
Those who want to spend more can do so easily. ³Our turntable lists at
$46,000, but we are far from being the most expensive,² said Lloyd Walker of
Walker Audio in Audubon, Pa., who handcrafts the company¹s Proscenium Black
Diamond turntable. ³They go up to a quarter of a million.²
For $46,000, Mr. Walker said, you get 250 pounds of turntable with a platter
and tone arm that float on a nearly frictionless cushion of air. And Mr.
Walker comes to your listening room to tweak every setting for optimum
performance. ³Setup is extremely important,² he said.
That is also true of less expensive turntables. The cartridge must be
correctly aligned and the tone arm weighted properly. Some cartridges or
tone arms come with an alignment tool, but they can be bought separately for
$5 to $275. Likewise, a stylus force gauge, which measures the pressure of
the needle on a record, can cost $25 for a weighted balance or $450 for a
precision digital model.
To check your work, there are test LPs that play a series of signals that
let you hear, for instance, whether both channels are equally loud. Such
recordings can cost from $30 to $100.
Of course, for a fee you can usually get the shop that sold you the
turntable to set it up.
Among the pleasures of turntables are the tasks and rituals that surround
preparing to play a record. That means cleaning off dirt and dust and
removing static. Mr. Walker said that nothing less than a machine that
vacuums a cleaning fluid from the record would remove the manufacturer¹s
release agent ‹ a lubricant that makes a record come out of a mold. ³It will
sound 30 to 50 percent better,² he said. ³It¹s a big difference.² Such
devices can cost hundreds to thousands of dollars.
Others may be satisfied with an inexpensive carbon fiber brush or the
classic Discwasher cleaning fluid and pile brush for $20.
But Mr. Bowers warns against fixating on minute technical details. Better to
spend your time at thrift stores finding music that will never appear on a
CD. ³Playing records,² he said, ³should be fun.²
Copyright 2008 The New York Times Company
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> Go for it Will...LOL...
>
> I'm going to do an article for the NYT about all the articles about
the
> re-discovery of vinyl - it seems like every third article I read these
days is
> about LPs. It isn't LPs that are proliferating - it's the
articles about
> them!
>
>
> On Dec 2, 2008, at 11:19 AM, Jazz Promo Services wrote:
>
>>
http://www.nytimes.com/2008/12/02/technology/techspecial2/02table.html
>>
>>
>> December 2, 2008
>> You Say You Want a Revolution (at 33 1/3)
>>
>> By ROY FURCHGOTT
>> WHEN Melissa Walker, 31, was growing up, vinyl records were nostalgic
>> artifacts. But when three crates of LPs were left in an apartment she
had
>> rented, a $10 thrift store record player turned those records into a
kitschy
>> novelty. And when her boyfriend bought her a Rega P1 turntable and a
Bill
>> Evans jazz album for her 30th birthday, playing the records became a
daily
>> ritual.
>>
>> ³Dave brought it home, and we dimmed the lights and sat on the couch
with a
>> glass of wine, and I felt like we were in a jazz club,² Ms. Walker
said. ³I
>> could hear the musicians breathing. It felt like I could hear them
smoking.²
>>
>> Now she holds listening parties in her Brooklyn apartment,
introducing
>> friends to the rich sound of vinyl. ³There is something I like about
the
>> process of listening that way,² she said. ³Having to listen to it in
the
>> order the musicians intended, and turning it over. There is something
social
>> about it.²
>>
>> Sales of new LPs show that Ms. Walker isn¹t the only one
rediscovering
>> vinyl. While CD sales dropped last year, sales of records were up 36
percent,
>> although they are still a minuscule part of the music market.
>>
>> All those records have to be played on something. And when it comes
to
>> turntables ‹ no one would dare call them record players these days
‹ there
>> are many options, from bare-bones $99 models to ultra-high-end
audiophile
>> equipment with price tags of $100,000 or more.
>>
>> There are so many choices, in fact, that it can be tough for a
shopper to
>> know where to begin. ³You can buy too much turntable or too little
turntable
>> for the rest of your equipment,² said John-Paul Lizars, marketing
director at
>> Sumiko, which imports and distributes turntables. He recommends
investing
>> about a third of your equipment budget in a turntable. ³I urge people
to get
>> the best turntable, cartridge and phono preamp as they can,² Mr.
Lizars said,
>> ³because if you don¹t capture the content at the source, no other
component
>> can enhance it.²
>>
>> A turntable is a basic piece of equipment ‹ a motor turns a platter
on which
>> the record sits, and a tone arm holds a needle and a cartridge. The
needle
>> wiggles as it rides the record¹s groove, and the cartridge converts
those
>> vibrations to electrical signals that go to an amplifier.
>>
>> But in those few parts lies a world of variation.
>>
>> Modern turntables are usually either direct drive or belt drive.
Direct
>> drive has been popular with radio and club D.J.¹s because the record
gets up
>> to speed very quickly. The downside is that motor rumbles can be
audible on
>> lesser models.
>>
>> Belt drive is more common, with a rubber belt insulating motor noise
from
>> the platter. Belt drive turntables can require maintenance (belts
>> occasionally wear out), and they can be less precise, causing speed
>> variations heard as wow and flutter. But that is not a problem in
>> audiophile-quality equipment, said Ed Dorsey of Soundscape, an audio
boutique
>> in Baltimore. ³The wow and flutter is so small, the average person
isn¹t
>> going to hear it, only the musician with perfect pitch.²
>>
>> Less expensive turntables, like the Denon DP-29F, which lists for
$150, and
>> the Pioneer PL-990, which lists for $130, generally come with
permanently
>> installed cartridges. That means no souping-up the turntable with
aftermarket
>> parts.
>>
>> But adding a new cartridge is the most common way to improve a stock
>> turntable. ³Most of the time turntables come with an entry-level
cartridge,²
>> said Ken Bowers, manager of Needle Doctor, near Minneapolis. A better
>> cartridge will get more information from the record groove for more
detailed
>> sound, he said.
>>
>> As prices go up, the quality of the parts improves. The turntable
bases,
>> instead of hollow plastic, are made of metal or dense wood, which
dampen
>> vibrations. ³You¹ll get tighter bass, better imaging, more detail,²
Mr.
>> Bowers said.
>>
>> On high-end equipment, motors tend to be heavier and more precise,
the
>> bearings in the tone arms present less friction, and the level of
>> craftsmanship is higher. ³You are buying build quality, you are
buying
>> precision,² Mr. Lizars said.
>>
>> Once again, more precision means more detailed sound. The price of
>> turntables with solid bases and replaceable cartridges generally
begins
>> around $300. Ms. Walker¹s Rega P-1 and the Pro-Ject Debut III, which
is
>> imported by Sumiko, both list for $350 to $400.
>>
>> To those audiophiles returning to vinyl, that may seem like a small
price
>> for high-fidelity quality, but like all things technological,
turntables have
>> become cheaper and better. ³The $300 turntable of today is vastly
superior to
>> the $300 of 20 years ago,² Mr. Lizars said.
>>
>> Those who want to spend more can do so easily. ³Our turntable lists
at
>> $46,000, but we are far from being the most expensive,² said Lloyd
Walker of
>> Walker Audio in Audubon, Pa., who handcrafts the company¹s Proscenium
Black
>> Diamond turntable. ³They go up to a quarter of a million.²
>>
>> For $46,000, Mr. Walker said, you get 250 pounds of turntable with a
platter
>> and tone arm that float on a nearly frictionless cushion of air. And
Mr.
>> Walker comes to your listening room to tweak every setting for optimum
>> performance. ³Setup is extremely important,² he said.
>>
>> That is also true of less expensive turntables. The cartridge must be
>> correctly aligned and the tone arm weighted properly. Some cartridges
or tone
>> arms come with an alignment tool, but they can be bought separately
for $5 to
>> $275. Likewise, a stylus force gauge, which measures the pressure of
the
>> needle on a record, can cost $25 for a weighted balance or $450 for a
>> precision digital model.
>>
>> To check your work, there are test LPs that play a series of signals
that
>> let you hear, for instance, whether both channels are equally loud.
Such
>> recordings can cost from $30 to $100.
>>
>> Of course, for a fee you can usually get the shop that sold you the
>> turntable to set it up.
>>
>> Among the pleasures of turntables are the tasks and rituals that
surround
>> preparing to play a record. That means cleaning off dirt and dust and
>> removing static. Mr. Walker said that nothing less than a machine that
>> vacuums a cleaning fluid from the record would remove the
manufacturer¹s
>> release agent ‹ a lubricant that makes a record come out of a mold.
³It will
>> sound 30 to 50 percent better,² he said. ³It¹s a big difference.²
Such
>> devices can cost hundreds to thousands of dollars.
>>
>> Others may be satisfied with an inexpensive carbon fiber brush or the
>> classic Discwasher cleaning fluid and pile brush for $20.
>>
>> But Mr. Bowers warns against fixating on minute technical details.
Better to
>> spend your time at thrift stores finding music that will never appear
on a
>> CD. ³Playing records,² he said, ³should be fun.²
>>
>>
>> Copyright 2008 The New York Times Company
>> Privacy Policy Search Corrections RSS First Look Help Contact Us Work
for Us
>> Site Map
>>
>>
>
>
For those of who were around when hip hop came to be or for those who know
the origins of hip hop in the mid-to-late 1970s in the South Bronx-Boogie
Down, the irony of what is called hip hop today-particularly the sub genre
known as gangsta rap is that hip hop was created as an alternative to gang
violence. Instead of battling each other over drugs and turf, crews came to
battle each other on the dance floor of the parks and streets, breaking to
the new sounds of gifted deejays taking records including the wishy washy
disco sounds, isolating the break and creating non stop beats, this added to
the already existing grafitti culture, the last element of hip hop is
emceeing the proper term for rapping.
Two of the founders and creators of hip hop, grandmaster DJs Kool Herc and
Afrika Baambatta-founder as well of the Almighty Universal Zulu Nation that
stopped the proliferation of gang violence in the South Bronx through
education and hip hop have called out to the biggest names of contemporary
rap to come back to the hood, be a positive influence, contribute efforts
and donate money to the creation of a hip hop musuem and cultural center in
the birthplace of hip hop, an artform that has made their lifestyle of the
rich and famous a reality, all of the calls have remained unanswered, how
sad
Arturo
Aloha Jae,
Thanks for your scholarly "drummer's perspective" on this. I had
a
hunch that the complex time signatures and changes might be the reason
that it would be difficult to impart swing feeling on this piece. I
think in general that progressive rock has the same sort of appeal, in
terms of sophisticated harmonic structure, as does jazz - however the
rhythmic aspects can be quite different - although odd meters are not
uncommon in jazz, these don't naturally or necessarily invoke swing
feel. I did like the horn charts on the Wave Mechanics Union version of
"Heart of the Sunrise" very much indeed.
By the way, I'd just like to remind everyone that while Jaco was paving
the way for the bass to be a lead instrument in jazz and jazz-rock
fusion, Chris Squire of Yes was doing a similar thing with the bass as a
lead instrument in Yes, at about the same time (or even earlier) - a
fact that seems to be little recognized.
Always a pleasure, Jae. The light is on.
Brad
Dr. Brad Stone
Music Director (Jazz, Blues World)
Faculty Advisor
KSJS 90.5 FM
1 Washington Square
San Jose State University
San Jose, CA 95192-0094
Home Office:
9381 Durango Lane
Gilroy, CA 95020
bstone at science.sjsu.edu
(408) 848-6266
-----Original Message-----
From: jazzproglist-bounces at jazzweek.com
[mailto:jazzproglist-bounces at jazzweek.com] On Behalf Of Jae Sinnett
Sent: Monday, December 01, 2008 6:55 PM
To: jazzproglist at jazzweek.com
Subject: RE: [JPL] Wave Mechanics Union - Second Season
Brad...your thoughts on "Heart Of the Sunrise" are interesting. I too
thought the same thing BUT...I have first hand experience with that song
and can tell you it's potentially an arranging nightmare.
Back in the 70's when I had big hair I played in a prog rock group for
several months. We played "Heart Of the Sunrise." It's strange
because
listening to the song makes so much sense but trying to play it is
another story. Its quirky meter shifts and multiple feel variations make
it an unlikely candidate for swing. I take my hat off to the arranger
here for coming up with something that worked with fluid continuity and
logical harmonic structure and movement. I also like the fact that the
drummer played Bill Bruford's parts to the tee when he should have.
Everything about Bruford's playing was so astonishingly original that to
change it around would take away from the rhythmic concept of the
composition in my view.
Peace my friend,
Jae
On this day in history, December 2nd, 1948 Luciano Pozo González the
immortal Chano was shot dead in the Spanish Harlem bar Rio Cafe over a
dispute of a dime bag of grass. Chano was in NYC awaiting the return of the
Dizzy Gillespie Big Band after he left the ensemble when his tumbadoras were
stolen and because he couldn't deal with the Jim Crow laws of the South,
Chano was only 33.
Arturo
Afternoon Jazz
hosted by Jason M. Miller
Mon.- Fri. 1pm-3pm
91.3 KVLU Beaumont, TX
www.kvlu.org
Airdate: 12-02-08
Artist(s) - Song(s) - Album (Label) [C] = current release [a] = add
HOUR ONE
Theme
Larry McDonough Quartet - Ode To Joy - Simple Gifts (LM Jazz) [C]
Steve Million - Hymnal - Remembering The Way Home (Origin) [C]
The John Hicks Legacy Band - After The Morning - Mind Wine: The Music
Of John Hicks (Savant) [C]
Fred Taylor Trio - Dear Old Stockholm - Circling (Fred Taylor Music) [C]
Stan Getz Quartet - Windows - Sweet Rain (Verve)
Bruce Lofgren - Beautiful Love - Jazz Trio (Sea Breeze Jazz)
BREAK
Sara Gazarek - I've Got A Great Idea - Return To You (Native Language)
Lois Deloatch - My One And Only Love - Hymn To Freedom: Homage To Oscar
Peterson (Improv Media) [C]
Donna Bailey & Friends - Day By Day - All Because Of You (DBS Jazz)
[C][a]
BREAK
HOUR TWO
Hailey-Zukoski Trio - Wave - An Old Sweet Song (Sea Breeze Jazz) [C]
Bob Mover - I Believe In You - It Amazes Me ... (Zoho) [C]
Amina Figarova - "A" Dance - Above The Clouds (Munich) [C]
Melody Gardot - Love Me Like A River Does - Worrisome Heart (Verve)
Melody Gardot - Goodnite - Worrisome Heart (Verve)
BREAK
The Bob Florence Limited Edition - Chelsea Bridge - Whatever Bubbles Up
(Summit)
Marian McPartland - Afternoon In Paris - Twilight World (Concord)
Espina/Henke/Strum - Dream Milonga - Tricycle (Water Street Music) [C]
Astor Piazolla - Milonga For Three - Rough Dancer And The Cyclical
Night (Tango Apasionado) (Nonesuch)
BREAK
McCoy Tyner w/ Marc Ribot - Passion Dance - Guitars (HalfNote) [C]
for airplay consideration:
91.3 KVLU
Attn: Afternoon Jazz
P.O. Box 10064
Beaumont, TX 77710
Yancy L. Carrigan
Music Director
WESM 91.3 FM
University of Maryland Eastern Shore
Backbone Rd.
Princess Anne, MD 21853
Phone: (410) 651-8001
Fax: (410) 651-8005
E-mail: ylcarrigan at umes.edu<mailto:ylcarrigan at umes.edu>
Web: www.wesm913.org<http://www.wesm913.org/>
________________________________
From: Daniels, Brian
Sent: Tuesday, December 02, 2008 4:09 PM
To: Carrigan, Yancy L
Subject: FW: JAZZWEEK PLAYLIST REPORT 11/20-26/2008 WESM 91.3 FM PRINCESS ANNE,
MD
From: Daniels, Brian
Sent: Tuesday, December 02, 2008 2:50 PM
To: Carrigan, Yancy L
Subject: JAZZWEEK PLAYLIST REPORT 8/11-26/2008 WESM 91.3 FM PRINCESS ANNE, MD
JAZZWEEK PLAYLIST REPORT 11/20-26/2008
WESM 91.3 FM PRINCESS ANNE, MD
ARTIST NAME
NAME OF CD
TOTALS
STEVE DAVIS
* OUTLOOK
3
DAVE HOLLAND SEXTET
* PASS IT ON
3
DON HALES
* UNIFIED STRING THEORY
3
AMINA FIGAROVA
* ABOVE THE CLOUDS
2
WAYNE WALLACE LATIN JAZZ QUINTET
* INFINITY
2
JOEY DeFRANCESCO
* JOEY D!
2
MICHAEL B. & FRIENDS
* NO MORE BLUES
2
BILL MORING & WAY OUT EAST
* SPACES IN TIME
2
BOB MINTZER BIG BAND
* SWING OUT
2
RACHAEL PRICE
* THE GOOD HOURS
2
JAMIE DAVIS
* VIBE OVER PERFECTION
2
THE PHIL NORMAN TENTET
* "TOTALLY" LIVE AT CATALINA JAZZ CLUB
1
GIAN WIEGNER & GARY BRUNOTTE
* ABOUT TIME
1
MARTIN TAYLOR
* DOUBLE STANDARDS
1
JOE LOCKE
* FORCE OF FOUR
1
McCOY TYNER
* GUITARS
1
ROGER KELLAWAY
* LIVE AT THE JAZZ STANDARD
1
THE CHRISTIAN JACOB TRIO
* LIVE IN JAPAN
1
LAIKA
* MISERY
1
THE HANK JONES AND JAMES MOODY QUARTET
* OUR DELIGHT
1
RANDY BRECKER
* RANDY IN BRASIL
1
ANTONIO CIACCA QUINTET
* RUSH LIFE
1
SOUTH FLORIDA JAZZ ORCHESTRA
* SOUTH FLORIDA JAZZ ORCHESTRA
1
NATALIE COLE
* STILL UNFORGETTABLE
1
OFER ASSAF
* TANGIBLE REALITY
1
VERONICA MARTELL
* THE GREAT CITY
1
NICOLE HENRY
* THE VERY THOUGHT OF YOU
1
GENERATIONS
* TOUGH GUYS
1
TOTAL SPINS THIS WEEK:
42
WEMU JAZZ REPORT 910
BASED ON AIRPLAY FROM NOVEMBER 24 TO NOVEMBER 30, 2008
SUBMITTED TO JAZZWEEK.COM AND RETAIL OUTLETS
LINDA YOHN, MUSIC DIRECTOR
1. PAUL KELLER “The Michigan Jazz Suite” (PKO) {10}
2. JAVON JACKSON “Once Upon A Melody” (Palmetto) {6}
3. WILL BERNARD “Blue Plate Special” (Palmetto) {5}
4. COREY CHRISTIANSEN “Roll With It” (Origin) {5}
5. CHARLIE HUNTER “Baboon Strength” (Spire Artist Media) {5}
6. JAY HOGGARD “Soular Power” (JHVM) {4}
7. KATE MCGARRY “If Less Is More…Nothing Is Everything” (Palmetto)
{4}
8. JAMES MOODY-HANK JONES QUARTET “Our Delight” (IPO) {4}
9. ORGANISSIMO “Groovadelphia” (Big O) {4}
10. HOUSTON PERSON “The Art And Soul Of Houston Person” (High Note)
{4}
11. MCCOY TYNER “Guitars” (Half Note) {4}
12. ANAT COHEN "Notes From The Village" (Anzic) {3}
13. GENERATIONS “Tough Guys” (ICA) {3}
14. DAVE HOLLAND SEXTET “Pass It On” (Dare2) {3}
15. MILTON NASCIMENTO WITH THE JOBIM TRIO “Novas Bossas” (Blue Note)
{3}
16. FLORIN NICULESCU “Florin Niculescu Plays Stephane Grappelli”
(Blujazz) {3}
17. ARTURO O’FARRILL AND CLAUDIA ACUNA “In These Shoes” (Zoho
Music) {3}
18. AARON PARKS “Invisible Cinema” (Blue Note) {3}
19. DANILO PEREZ AND CLAUS OGERMAN “Across The Crystal Sea” (Decca)
{3}
20. THE STRYKER/SLAGLE BAND “The Scene” (Zoho Music) {3}
21. LORI BELL “The Music Of Djavan” (Resonance) {2}
22. PAUL CARLON OCTET “Roots Propaganda” (Deep Tone) {2}
23. DANNY CARON “How Sweet It Is” (www.dannycaron.com) {2}
24. GEORGE COLLIGAN “Runaway” (Sunnyside) {2}
25. MARC COPLAND "Another Place" (Pirouet) {2}
26. DENA DEROSE “Live At Jazz Standard: Volume Two” (Max Jazz) {2}
27. AMINA FIGAROVA “Above The Clouds” (Munich) {2}
28. FRA FRA SOUND “Dya So” (Pramisi) {2}
29. JAMES GALWAY AND TIEMPO LIBRE “O’Reilly Street” (RCA Red Seal)
{2}
30. JARED GOLD “Solids & Stripes” (Positone) {2}
31. BRAD GOODE “Polytonal Dance Party” (Origin) {2}
32. JAMES HARDWAY “LA Instrumental” (Ubiquity) {2}
33. THE JOHN HICKS LEGACY BAND “Mind Wine: The Music Of John Hicks”
(Savant) {2}
34. KELLEY JOHNSON “Home” (Sapphire) {2}
35. ERIC KURIMSKI “Replica” (Lima Limon) {2}
36. OLIVER LAKE ORGAN TRIO “Makin’ It” (Passin’ Thru) {2}
37. MIKE LEDONNE “Five Live” (Savant) {2}
38. JOE MAGNARELLI “Persistence” (Reservoir) {2}
39. ROBERT MCCARTHER “That’s Me” (www.robertmccarther.com) {2}
40. PUERTORICAN FOLKLORIC JAZZ “Barriles De Bomba”
(www.puertoricanfolkloricjazz.com) {2}
41. VICTOR RENDON “Fiesta Percusiva” (www.victorrendon.com) {2}
42. SONNY ROLLINS “Road Shows, Volume 1” (Doxy) {2}
43. ALDO ROMANO “Just Jazz” (Dreyfus Jazz) {2}
44. DANIEL SADOWNICK “There Will Be A Day” (In Time) {2}
45. JOHN SANTOS QUINTET “Perspectiva Fragmentada” (Machete) {2}
46. JOE TEMPERLEY “The Sinatra Songbook” (Hep Jazz) {2}
47. BEBO VALDES AND JAVIER COLINA “Live At The Village Vanguard”
(Norte) {2}
48. WAYNE WALLACE LATIN JAZZ QUINTET “Infinity” (Patois) {2}
HISTORIC RECORDINGS RECEIVING SIGNIFICANT AIRPLAY
1. HERBIE HANCOCK “Then And Now: The Definitive Herbie Hancock”
(Verve) {5}
2. EDDIE HENDERSON “Heritage” (Blue Note) {5}
3. QUARTETO NOVO “Quarteto Novo” (EMI) {4}
4. CURTIS FULLER “The Opener” (Blue Note) {3}
5. MR. B “Joybox” (Megawave) {2}
6. CARMEN MCRAE “Live At The Flamingo Jazz Club” (Acrobat) {2}
7. STANLEY TURRENTINE “Dearly Beloved” (Blue Note RVG) {2}
8. REUBEN WILSON “Set Us Free” (Blue Note) {2}
RECENTLY ADDED RECORDINGS
1. TUCK & PATTI “I Remember You” (T&P) {4}
2. LAFAYETTE GILCHRIST “Soul Progressin’” (Hyena) {3}
3. OFER ASSAF “Tangible Reality” (Summit) {2}
4. MICHAEL B. AND FRIENDS “No More Blues” (Primrose Lane Music) {2}
5. GENE BERTONCINI & RONI BEN-HUR “Smile” (Motema) {2}
6. SHAWN MAXWELL “Originals II” (www.shawnmaxwell.com) {2}
7. FRANCISCO MELA “Cirio” (Half Note) {2}
Linda
Linda Yohn
WEMU Music Director
lyohn at emich.edu
734-487-2229
www.wemu.org
WEEST like yeast. ."Go weest, young man." He is a big Al Grey fan.
Wonderful thoughts Jae! Thanks for all you do! Music is a powerful healing
energy and it is so important for people to have access to it on the radio,
ipods (etc) or if possible, in person. We are blessed here in Vegas to find
or create venues to do our live thing. Now we have a beautiful Indian
restaurant across from the Hard Rock where locals and tourists can come on a
Monday night early and experience our brand of World Jazz. Much of our
material is from composers born in other countries. Hopefully if any jazz
programers on this list plan to come to Vegas, they will make a point of
coming in and saying hello :-). We have been doing our best to keep jazz
alive in Vegas for the last 11 years. Here is last week's review from the
Las Vegas City Life:
http://www.lasvegascitylife.com/articles/2008/11/25/ae/picks/doc492c4eb71fe
6e271354249.txt
All the Best to Jae and all the jazz programers and artists on the list from
the Rajmahal, Diana and Raj
> From: Jae Sinnett <jaejazz at yahoo.com>
> Reply-To: jazzproglist at jazzweek.com
> Date: Thu, 27 Nov 2008 08:06:58 -0800 (PST)
> To: jazzproglist at jazzweek.com
> Subject: [JPL] Thanksgiving
>
> Happy Thanksgiving everyone. Remember most of us on this list bring a lot
of
> joy into the lives of many people. Thousands actually. Many love this
great
> music and it's a valuable resource in their lives. It's special
really and we
> do make a difference. We can't take that position for granted. I had
an 80
> year old gentleman call me the other night and said..."I don't
know what I
> would do if I didn't have you on the radio." That says it all
really. There
> are many that feel just like him and it's a blessing for me to be able
to
> bring that kind of joy into his life.
>
> The small part of the bigger picture of what we do is profoundly important
and
> meaningful for many people. We're selfless public servants...or should
be in
> radio. I'm thankful for the opportunity to serve.
>
> Jae Sinnett
>
>
>
>
>
>
> --
>
> Jazz Programmers' Mailing List: jazzproglist at jazzweek.com
> List information: http://lists.jazzweek.com/mailman/listinfo/jazzproglist
> List archive: http://lists.jazzweek.com/pipermail/jazzproglist/
> Sponsorship information: jplsponsor at jazzweek.com
"The Sounds of Jazz"
December 2, 2008
Host: Eric "Flash" Flashner
Tuesdays, 10am-Noon
88.9 FM KRFC - Fort Collins, CO
www.krfcfm.org
Jimmy McGriff "Groove Grease" from "Groove Grease" on
Groove Merchant -- Theme
Lee Morgan "Totem Pole" from "The Sidewinder" on Blue Note
Joel Haynes Trio "Here and Now" from "Transitions" on
Cellar Live*
Sonny Clark "Something Special" from "Leapin' and
Lopin'" on Blue Note
Herbie Hancock "Survival of the Fittest" from "Maiden
Voyage" on Blue Note
Corey Christensen "Roll With It" from "Roll With It" on
Origin*
Javon Jackson "Mr. Jones" from "Once Upon A Melody" on
Palmetto Records*
Charles Mingus "Better Git It In Your Soul" from "Mingus Ah
Um" on Columbia
Derrick Gardner & the Jazz Prophets "Funky Straight" from "A
Ride To The Other Side" on Owl Studios*
Woody Shaw "Apex" from "Night Music" on Elektra Musician
The Phil Norman Tentet "All Blues" from ""Totally"
Live at Catalina Jazz Club" on Mama Records*
Jackie McLean "Vertigo" from "Vertigo" on Blue Note
Wes Montgomery "Full House" from "Full House" on Riverside
* = New Releases 2007 & 2008
KRFC, FORT COLLINS 88.9FM "HOMEGROWN RADIO"
619 S. COLLEGE AVE #4
FT. COLLINS, CO 80524
(970)/221-5075
NEW JAZZ SPINS
November 23 - 29, 2008
3 SPINS:
JAVON JACKSON - ONCE UPON A MELODY - PALMETTO
2 SPINS:
STEVEN BERNSTEIN & THE MTO -WE ARE MTO - MOWO!
BRAD GOODE – POLYTONAL DANCE PARTY- ORIGIN
DAVE HOLLAND SEXTET - PASS IT ON - DARE2/EMARCY
RICH LAMB - MUSIC ALONG THE WAY - S-P/ALONGTHEWAYHOME
JOE LOCKE - FORCE OF FOUR - ORIGIN
PHIL MARKOWITZ TRIO - CATALYSIS - SUNNYSIDE
TIM RIES - STONES WORLD: THE ROLLING STONES PROJECT V. II - TAMES
RECORDS/SUNNYSIDE
STUART ROSH & THE GENIUSES - FUNDAMENTAL - WINGED FLIGHT
CASSANDRA WILSON - LOVERLY - BLUE NOTE/EMI
1 SPIN:
WILL BERNARD - BLUE PLATE SPECIAL - PALMETTO
THE BRAZILIAN TRIO - FORESTS - ZOHO
BUENA VISTA SOCIAL CLUB - AT CARNEGIE HALL - NONESUCH/WORLD CIRCUIT
TERESA CARROLL - SMILE - RIVER CITY PRODUCTIONS
DAN CAVANAGH'S JAZZ EMPORIUM BIG BAND - PULSE - OA2 RECORDS
COREY CHRISTIANSEN - ROLL WITH IT - ORIGIN
ANAT COHEN - NOTES FROM THE VILLAGE - ANZIC
NATALIE COLE - STILL UNFORGETTABLE - DMI/ATCO
MILES DAVIS – EVOLUTION OF THE GROOVE - LEGACY
DEPAUL UNIVERSITY JAZZ ENSEMBLE W/ JIM MCNEELY - THAT BEING SAID - JAZZED MEDIA
THE DIXON-RHYNE PROJECT - REINVENTION - OWL STUDIOS
AMINA FIGAROVA - ABOVE THE CLOUDS- MUNICH RECORDS
THE FRANK HAILEY & ERIK ZUKOSKI 3 - AN OLD SWEET SONG - SEA BREEZE RECORDS
MIKE FROST PROJECT - MIKE FROST PROJECT LIVE! - BLUJAZZ
JAMES GALWAY & TIEMPO LIBRE - O'REILLY STREET -RCA/RED SEAL
LARRY GELB - AMERICA IS FREE - IAM/IMAGINMUSIC RECORDS
GORDON GOODWIN'S BIG PHAT JAZZ BAND - ACT YOUR AGE- IMMERGENT
FRED HESS - SINGLE MOMENT - S-P/ALISON
AL HOOD PLAYS THE WRITINGS OF DAVE HANSON - JUST A LITTLE TASTE - S-P/KAKEDA
LAKE STREET DRIVE(RACHEL PRICE) - PROMISES, PROMISES - FYO RECORDS
CHIP MCNEILL – FOUR STEPS---3 - CAPRI
PAT METHANY TRIO – DAY TRIP - NONESUCH
BOB MONTGOMERY & AL HERMANN 5 - ON THE BRINK - SUMMIT
JAMES MOODY AND HANK JONES QUARTET – OUR DELIGHT - IPO
MICHAEL MOORE & FRED HERSCH - THE SPIRIT OF '76 - PALMETTO
BOB MOVER - IT AMAZES ME... - ZOHO
WILLIE NELSON AND WYNTON MARSALIS – TWO MEN WITH THE BLUES – BLUE NOTE
FLORIN NICULESCU - FLORIN NICULESCU PLAYS THE MUSIC OF STEPHANE GRAPPELLI -
PLUS LOIN MUSIC/BLUJAZZ
ADAM NIEWOOD & THE RABBLE ROUSERS – EPIC JOURNEY: VOL. I & II -
INNOVA
ORGANISSIMO – GROOVADELPHIA – BIG O
BUCKY PIZZARELLI - SO HARD TO FORGET - ARBORS JAZZ
CATHY ROCCO - YOU'RE GOING TO HEAR FROM ME - RESONANCE
S.M.V. – THUNDER – HEADS UP
JANINE SANTANA - SOFT AS GRANITE - S-P/JSM
BOZ SCAGGS - SPEAK LOW - DECCA/UMC
JAE SINNETT - IT'S TELLING... - J-NETT MUSIC
ESPERANZA SPAULDING – ESPERANZA – HEADS UP
STRYKER / SLAGLE BAND - THE SCENE - ZOHO
TRIO BEYOND –SAUDADES - ECM
MCCOY TYNER – GUITARS – HALF NOTE
MARLENE VERPLANCK - ONCE THERE WAS A MOON - AUDIOPHILE
LARRY VUCKOVICH - HIGH WALL: REAL LIFEFILM NOIR - TETRACHORD RECORDS
SKIP WILKINS – THE PAINT-PEELER - DREAMBOX MEDIA
----------------------------------------------------------------------
THESE SPINZZ REPRESENT THE CUMULATIVE PLAYZZ FOR THE 4 JAZZ BROADCASTS ON KRFC:
"THE SOUNDS OF JAZZ" WITH FLASH
TUESDAYS, 10AM - NOON
EFLASH17 at COMCAST.NET
"JAZZALICIOUS" WITH BRIAN KEEFE
THURSDAYS, 10PM - 'ROUND MIDNIGHT
BE_KEF at YAHOO.COM
"OVERNIGHT JAZZ: THE SOUNDZ OF SURPRIZE" WITH PETER POSES
FRIDAYS, ROUND MIDNIGHT THURZZ - 6AM
PPOSES at EARTHLINK.NET
"MOUNTAIN STANDARDS TIME" WITH GENE ABKARIAN
SUNDAYS, 9 - 11PM
JCTRANE at GMAIL.COM
KRFC'S MUSIC DIRECTOR IS DENNIS BIGELOW
DENNIS at KRFCFM.ORG
WE REPORT TO CMJ JAZZ CHARTS
ALL BROADCASTS CAN BE STREAMED LIVE AT WWW.KRFCFM.ORG
Tis the time of the year...here are my top picks for 2008.
> Had to submit my list to local publications so it's a
> done deal. Lots of great releases this year and it's
> never easy coming up with a top ten but it's always fun
> and challenging putting one together. Thanks.
>
> 10. Frank Macchia - "Saxolollapalooza" -
> Cacophony, Inc - Peter Erskine is simply one of the most
> musical and perceptive drummers playing today. In my view he
> shapes and colors this recording in a way that only he
> could. It's a risk to to this type of project with no
> bass player and to a lesser degree, no chordal
> accompaniment, but the compositions and Peters drumming are
> texturally fulfilling and arranged smartly as to imply a
> rhythm section and not miss it.
>
> 9. Derrick Gardner - "A Ride To the Other Side" -
> Owlstudios.com - Considering that I've known Derrick for
> years and had the opportunity to study with his father I can
> say this recording isn't surprising to me with it's
> extraordinary musicianship and direction. The high point for
> me is the writing. It reflects the history and his
> influences but also how those influences have shaped him.
> The compositions are also reflective of how he approaches
> his trumpet playing. Many times I've seen
> instrumentalists write material that's not conducive to
> THEIR playing. An odd thing really but it happens much. The
> compositional and improvisational balance here is as good as
> it gets. That's one of the main things I listen for with
> jazz recordings. A hard swinging and beautiful debut for
> Derrick.
>
> 8. Dave Holland Sextet - "Pass It On" - Dare 2
> Records - The most interesting thing for me with this
> recording is the playing of pianist Mulgrew Miller. He's
> in a musical environment that isn't usually expected
> with him and the interesting contrasts created as a result
> helps to bring this CD to life in a fresh and visionary way.
> Dave Holland is simply one of the great musicians of our
> time and the ever inventive Eric Harland continues to bring
> much to the proverbial musical table.
>
> 7. David Sanchez - "Cultural Survival" - Concord
> - A smart merging of his Latin roots with jazz. Rhythmically
> elastic and harmonically interesting and each composition
> moves forward and tells a wonderful story. The pacing in
> David's playing is now one of a veteran. He's more
> patience now and lets the composition shape his direction
> for soloing. Beautiful tone and line construction.
>
> 6. Denise Donatelli - "What Lies Within" - Savant
> Records - Wow...what first caught my attention with this
> recording were the inventive arrangements. Then it
> was...hmmmm...as a vocalist, you would really have to have
> your poopoo together to be able to sing over them and that
> speaks volumes about her talent. Geoffrey Keezer simply out
> did himself with the charts. Thought provoking substitutions
> and meter variations that never once sacrificed the
> integrity of the songs.
>
> 5. Miguel Zenon - "Awake" - Marsalis Music -
> "Genius?" Perhaps. It would be interesting to see
> how someone would prove that he's not. Miguel's work
> challenges everything and presents the listener with a
> plethora of aural choices. You won't see his music at
> the top of the radio jazz charts or the billboard jazz top
> 10. Too deep. As a jazz educator I would tell every wanna be
> jazz student to listen to his music over and over again. To
> learn yes but to also have them shaking in their boots and
> recognizing the level of talent out here today. They'll
> be confronted with talent at this level and hopefully it
> will make them realize the work ethic needed to be a great
> artist.
>
> 4. Maceo Parker - "Roots & Grooves" - Heads
> Up - One of the things I've notice over the years with
> listening to as much music as I do as a programmer, is how
> thin the pulse of the American groove and swing has become.
> The soul that brings to life the "feel" of great
> American music is disappearing and that's because of
> what is being embraced by the younger generation and how
> it's being taught to them. If anyone needs a reminder as
> to what that should sound and feel like...listen to this
> recording. Then throw in the greatest jazz orchestra playing
> today with one of the best arrangers on the scene on top of
> that soul and ohhhhweeee! You also can't ignore the
> funkiest drummer playing today...Dennis Chambers... laying
> down a groove that is so phat that you would need to put it
> in weight watchers.
>
> 3. Aaron Parks - "Invisible Cinema" - Blue Note -
> I can listen to this recording and hear that Aaron had a
> specific concept in mind. I also hear how it reached his
> musical intentions. Superb writing with a sophisticated
> level of unpredictability. Once again the amazingly
> underrated Eric Harland helps to shape and take these
> compositions on a visionary rhythmic journey. Mike
> Moreno's guitar work here is brilliant. Not an easy feat
> for two chordal instrumentals working in an improvisational
> setting and not clashing. Reveals big ears and trust.
>
> 2. Bill Cunliffe - "The Blues and the Abstract Truth -
> Take 2" - Resonance Records - When I first saw the
> title of the recording I said...uh oh...but knowing the
> musician Bill is I was expecting to be pleasantly
> surprised...and I wasn't disappointed. Considering the
> historical status of "The Blues and the Abstract
> Truth" it's a risk for an artist to attempt a
> remake. Firstly, the original has some of the greatest jazz
> soloists ever. Secondly, the haunting minor blues
> masterpiece "Stolen Moments" is so etched in our
> minds that it's difficult to imagine something superior.
> What Bill has done is not superior but just as good in a
> different way. An amazing collection of modern conceptual
> changes to the originals. Bill's arrangements are so
> logical to the times that if the original were a seed and
> planted in 2008, "Take 2" would be the new result.
>
>
> 1. Joe Lovano - "Symphonica" - Blue Note Records
> - Well, the first word that comes to my mind when I think of
> this recording is... complete. A complete example of
> artistic mastery from every single perspective.
> Improvisation...writing...arranging...sound quality...
> production and presentation. This in my view is Lovano's
> masterpiece. If this one doesn't win a Grammy nothing
> should in this category. It's a pure pleasure listening
> to Joe play his horn on "Symphonica." I hear love
> and more love of the music, the people listening to
> him...the band supporting him...the man arranging for him
> and the fact that he is blessed with a gift that brings this
> music to life and puts joy in many hearts. That's what I
> hear in his playing. The veteran whose history is longer
> than his future at this point but the remaining future will
> be better than his history... if "Symphonica" is
> any indication. My top pick of 2008.
>
> Honorable, honorable mention...
> 1. Joe Locke - "Force Of Four" - Origin Records
> 2. Danilo Perez - "Across The Crystal Sea" -
> Emarcy
> 3. Avishai Cohen Trio - "Gently Disturbed" -
> Razdaz
> 4. Garaj Mahal - "Woot" - Owlstudios.com
> 5. Gordon Goodwin's Big Phat Band - "Act Your
> Age" - Immergent
> 6. Randy Brecker - "Randy In Brasil" - Mama
> 7. Taylor Eigsti - "Let It Come To You" - Concord
8. Pat Metheny Trio - "Day Trip" - Nonsuch
>From the AIR email list
Thomas Marzahl (apparently) - 09:36pm Dec 2, 2008
via email - Freelance journalist/radio producer, Berlin, Germany
As some AIRsters and jazz afficionados will remember, a remarkable
tour of female jazz singers and several other female performers took
place in 2005 called "Billie and Me." The show, featuring Dianne
Reeves, Rita Coolidge and others, celebrated what would have been the
90th birthday of Billie Holiday. One of the performers in this show
was the Malian singer Rokia Traoré.
For a story I'm producing about Traoré I'm casting out my net on very
short notice to see if there is any audio available out there - or
any tips on how to obtain it - of her singing at any of these shows.
I've already contacted the Kennedy Center, and came up empty - so
don't bother with the DC connection... and I don't know where else
the tour stopped off in the States.
Any help is appreciated - off-list replies, please.
Cheers,
Thomas Marzahl
Journalist Editor Translator
Berlin, Germany
email tmarzahl (at) mac.com
Jazz from Gallery 41 Playlist
Tuesday, December 02, 2008
3 PM to 5 PM Pacific
Artist / Song Title / Album Title (Label)
* Cannonball Adderley / The Jive Samba / Jazz Workshop Revisited
(Capitol)
* Miles Davis / All Blues / Kind Of Blue (Columbia)
* Abbey Lincoln / When Malindy Sings / Straight Ahead (Candid)
* Donald Byrd / Cristo Redentor / A New Perspective (Blue Note)
* Donald Byrd / French Spice / Free Form (Blue Note)
* Nina Simone / Brown Baby / Live At The Village Gate (Blue Note)
* Sonny Rollins / Valse Hot / …Plus 4 (Prestige)
* Jackie McLean / Five Will Get You Ten / A Fickle Sonance (Blue
Note)
* Wayne Shorter / Barracudas / Etcetera (Blue Note)
* Tommy Flanagan / Central Park West / Giant Steps (Enja)
* Jon Lucien / Rashida / Sweet Control (Razor & Tie)
* Herbie Hancock / Ostinato / Mwandishi (Warner Bros.)
* John McLaughlin / Do You Hear The Voices That You Left Behind? /
Electric Guitarist (Columbia)
* Geoffrey Keezer / Black And Tan Fantasy / Wildcrafted: Live At The
Dakota (MaxJazz)
Send Submissions for Airplay to:
Gallery 41
PO Box 8415
Berkeley, CA 94707
Recent adds to our Playlist/Rotation
Live Broadcasts (check schedule)
Streaming and available 24/7/365:
* Will Bernard / Blue Plate Special (Doodlin’)
* Richard Bona / Bona Makes You Sweat (Decca)
* Dan Cavanagh / Pulse (OA2)
* Mark Colby / Reflections (Origin)
* Dena DeRose / Live At The Jazz Standard Vol. 2 (MaxJazz)
* Laika Fatien / Misery (bluJazz)
* Clay Giberson / Spaceton’s Approach (Origin)
* Jared Gold / Solids & Stripes (Positone)
* Brad Goode / Polytonal Dance Party (Origin)
* Russell Gunn / Love Stories (High Note)
* Jay Hoggard / Soular Power (JHVM)
* Javon Jackson / Once Upon A Melody (Palmetto)
* Francisco Mela / Cirio (Half Note)
* The New Jazz Composers Octet / The Turning Gate (Motema)
* Tim Ries / Rolling Stones Project Vol. 2 (Sunnyside)
* Boz Scaggs / Speak Low (Decca)
* Skip Wilkins / The Paint-Peeler (Dreambox)
Ron Pelletier - “Jazz from Gallery 41”
Streaming 24/7 & Broadcasting Live
>From Studios Overlooking The San Francisco Bay
Looking forward.
---------------------------------------------------
Ron J. Pelletier
Gallery 41 <http://www.gallery41.com/>
PO Box 8415; Berkeley, CA 94707
Tel: 510.528.0326 / Fax: 510.528.6777
Jazz from Gallery 41 - Check Our Broadcast Schedule
<http://www.live365.com/stations/gallery41?site=pro>
Evening Jazz / KCSM-FM91 <mailto:ron at kcsm.net>
PLAYLIST:
WSHA 88.9 Raleigh - Straight No Chaser, Monday Edition (Susan Reeves)
Monday December 1, 2008 8- 11:00 pm
(artist- song title - cd) (*- recent release)
8:06
Don Braden – Two of a Kind (Gentle Storm)*
New York Electric Piano - The Wheel (King Mystery) *
Wayne Wallace (Jackie Ryan) – Close Your Eyes (Infinity)*
Zen Zadravec – Song For Christine (Coming of Age) *
Dena Derose – When Lights are Low (Live at Jazz Standard vol2)*
Carla Bley – Awful Coffee (Appearing Nightly)*
Larry Gelb – Dove ( America Is Free)*
Amina Figarova - “A” Dance (Above the Clouds)*
9:06
Booker Little – Forward Flight (Booker Little and Friend)
Bud Powell – Un Poco Loco (Complete Blue Note and Roost Recordings)
Peter Sommer – The Fruit (Crossroads)*
Denise Donatelli - Beloved (What Lies Within)*
Donny McCaslin – Late Night Gospel (Recommended Tools)*
Sheila Jordan – Dat Dere (Winter Sunshine) *
McCoy Tyner/Bela Fleck - Trade Winds (Guitars)*
Christian Scott – The Crawler (Live at Newport)*
Gene Bertoncini / Roni Ben Hur- Out of This World (Smile)*
10:06
Matt Ulery’s Loom – Kentucky Animal Orchestra (Music Box Ballerina)*
Avishai Cohen - Nature’s Dance (Flood)*
Savina Yannatou – Perperouna (Song of An Other)*
Eri Yamamoto – title (Redwoods)*
Todd Sickafoose – Future Flora (Tiny Barnacles) *
Misha Alperin – Vayan (Her First Dance)
WSHA 88.9 FM
Raleigh, N.C.
www.wshafm.org
**Support Live Music**
****** ****** ******
Susan Reeves
PO Box 3047
Durham, NC 27715
susan at susanreeves.net
www.susanreeves.net
Straight No Chaser - 88.9 fm - WSHAfm.org
WCVE-FM Jazz Playlist Tuesday December 2, 2008
(Fuler, Gillespie, Pozo) Manteca Theme / (Gillespie, O’Farrill, Pozo)
Contraste / (Gillespie, O’Farrill, Pozo) Jungla / (Gillespie, O’Farrill,
Pozo) Rhumba Finale – Afro – Dizzy Gillespie – Norgran Records – 314
517
052-2
(Rodgers and Hammerstein) People Will Say We’re in Love – It Amazes Me –
Bpb Mover – Zoho – ZM 200809
(Irving Berlin) The Best Thing for You – Unconventional Wisdom – Randy
Sandke -Arbors Jazz – ARCD 19365
(Raye, DePaul) You Don’t Know What Love Is – Roger Kellaway Live at the
Jazz Standard – Ipo – www.iporecordings.com
(Meredith DAmbrosio) Love Is for the Birds – Love Is for the Birds –
Meredith d’Ambrosio – Sunnyside – SSC-1101
(Lerner, Loewe) If I Would Ever Leave You – Joey D! – Joey Defrancesco –
High Note – HCD 7190
8:01 NPR News
(Ray Gilbert, Charles Wolcott) Sooner or Later – Songs from the Girl
Singer – Rosemary Clooney – Concord – CCD-4870-2
(Chuck Wayne) Cotton Top – Midnight on Cloud 69 – George Shearing – Savoy
Jazz – SV-0208
(Isham Jones, Gus Kahn) It Had to Be You – Music for Loving – Harry Carney
with Strings – Verve – 314 527 774-2
(Curtis Ousley, L. Dixon) Soul Serenade / (Joe Liggins) Tanya – The Best
of King Curtis – Capitol – CDP 7243 8 36504 2 2
(Baker, Hayes, Curtis) Dynamite at Midnite – 55 Years of Jazz – King
Curtis – Delmark Records – DE-914
(Sammy Price) Johnson Harlem Parlor Blues / (Memphis Slim) Dedication to
Pete Johnson - Classic Piano Blues – Smithsonoian Folkways – SFW – 40196
(Bernie, Pinkard, Casey) Sweet Georgia Brown – Sherrie Maricle & the Diva
Jazz Orchestra – divajazz..com
(Don Hale) Seaweed Song – Unified String Theory – Unified String Theory –
Don Hales – Chicken Coup Records – CCP 7011
(JJ Johnson) Fatback – JJ Inc – JJ Johnson – Columbia/Legacy – CK 65296
9:01 NPR News
(Irving Ceasar, Vincent Youmans) Tea for Two – Piano Starts Here – Art
Tatum – Legacy/Columbia – CK 64690
(Ray Conniff) To a Broadway Rose – Self Portrait – Artie Shaw – Bluebird
–
09026-63808-2
Rock Me – From Spirituals to Swing – Sister Rosetta Tharpe with Albert
Ammons – Vanguard – 169/71
(Cole Porter) Anything Goes – Adam Makowicz/George Mraz – Concord Jazz –
CCD-4597
(Gil Evans) Solea – Miles Davis & Gil Evans: The Complete Columbia Studio
Recordings –Columbia - 67397
(Bob Dorough) Up Jumped a Bird – Right on My Way Home – Bob Dorough –
Blue
Note – CDP 7243 8 57729 2 4
(Freed, Arnheim, Lyman) I Cried for You – For Lady Day – Zoot Sims –
Pablo
– PACD-2310-942-2
(Ray Noble) The Touch of Your Lips – Oh You Crazy Moon – Chet Baler –
Enja/Justin Time – 3304-2
Wynton Kelly & Jazz for Tuesday December 2, 2008 with George Thomas
Playlist
08:00 PM
Freddie Freeloader
Artist Name Miles Davis
Composer Miles Davis
Soloists Miles Davis-Trumpet ; Cannonball Adderley-Alto Sax ; John
Coltrane-Tenor Sax ; Wynton Kelly-Piano
CD/Album Kind Of Blue
Record co./Cat # Columbia 40579
Release Year 1959
Note Birthday: WK 12.2.1931
08:10 PM
God Bless The Child
Artist Name Billie Holiday
Composer Arthur Herzog, Jr.-Billie Holiday
Soloists Billie Holiday-Vocals ; Wynton Kelly-Piano ; Charlie
Shavers-Trumpet ; Kenny Burrell-Guitar
CD/Album Jazz Masters 12
Record co./Cat # Verve 314 519 825-2
Release Year 1956
Note Birthday: WK 12.2.1931
08:14 PM
Where Or When
Artist Name Wynton Kelly
Composer Rodgers & Hart
Soloists Wynton Kelly-Piano ; Oscar Pettiford-Bass
CD/Album Piano Interpretations
Record co./Cat # Blue Note Records 7-84456-2
Release Year 1951
Note Birthday: WK 12.2.1931
08:17 PM
All Of Me
Artist Name Dinah Washington
Composer Simons-Marks
Soloists Dinah Washington-Vocals ; Max Roach-Drums ; Wynton Kelly-Piano ;
Urbie Green-Trombone
CD/Album Sings Standards
Record co./Cat # Verve 314 522 055-2
Release Year 1958
Note Birthday: WK 12.2.1931
08:25 PM
Autumn Leaves
Artist Name Dizzy Gillespie
Composer Prevert-Mercer-Kosma
Soloists Dizzy Gillespie-Trumpet ; Wynton Kelly-Piano
CD/Album Dizzy's Diamonds
Record co./Cat # Verve 314 513 875-2
Release Year 1957
Note Birthday: WK 12.2.1931
08:28 PM
Dizzy Atmosphere
Artist Name Dizzy Gillespie
Composer Dizzy Gillespie
Soloists Dizzy Gillespie-Trumpet ; Wynton Kelly-Piano ; Paul
Gonsalves-Tenor Sax ; Stan Getz-Tenor Sax ; Coleman Hawkins-Tenor Sax
CD/Album Dizzy's Diamonds
Record co./Cat # Verve 314 513 875-2
Release Year 1957
Note Birthday: WK 12.2.1931
08:40 PM
Why Are We Afraid?
Artist Name Art Pepper
Composer Langdon-Previn
Soloists Art Pepper-Alto Sax ; Wynton Kelly-Piano
CD/Album The Art Of The Ballad
Record co./Cat # Prestige 11010-2
Release Year 1960
Note Birthday: WK 12.2.1931
08:44 PM
The Sleeper
Artist Name Cannonball Adderley & John Coltrane
Composer John Coltrane
Soloists Cannonball Adderley-Alto Sax ; John Coltrane-Tenor Sax ; Wynton
Kelly-Piano
CD/Album Cannonball & Coltrane
Record co./Cat # EmArcy 834 588-2
Release Year 1959
Note Birthday: WK 12.2.1931
08:51 PM
Old Clothes
Artist Name Wynton Kelly
Composer Wynton Kelly
Soloists Wynton Kelly-Piano ; Paul Chambers-Bass ; Jimmy Cobb-Drums
CD/Album Kelly Blue
Record co./Cat # Riverside/OJC 033-2
Release Year 1959
Note Birthday: WK 12.2.1931
09:01 PM
Blues for Philly Joe
Artist Name Sonny Rollins
Composer Sonny Rollins
Soloists Sonny Rollins-Tenor Sax ; Wynton Kelly-Piano ; Doug Watkins-Bass
; Philly Joe Jones-Drums
CD/Album Newk's Time
Record co./Cat # Blue Note Records 7-84001-2
Release Year 1957
Note Birthday: WK 12.2.1931
09:08 PM
I Can't Help It
Artist Name Betty Carter
Composer Betty Carter
Soloists Betty Carter-Vocals ; Wynton Kelly-Piano
CD/Album I Can't Help It
Record co./Cat # GRP/Impulse! 114
Release Year 1958
Note Birthday: WK 12.2.1931
09:11 PM
Naima
Artist Name John Coltrane
Composer John Coltrane
Soloists John Coltrane-Tenor Sax ; Wynton Kelly-Piano ; Paul
Chambers-Bass ; Jimmy Cobb-Drums
CD/Album Giant Steps
Record co./Cat # Atlantic 1311-2
Release Year 1959
Note Birthday: WK 12.2.1931
09:15 PM
Step Lightly
Artist Name Benny Golson
Composer Benny Golson
Soloists Benny Golson-Tenor Sax ; Art Farmer-Trumpet ; Wynton Kelly-Piano
; Paul Chambers-Bass ; Charles Persip-Drums
CD/Album New York Scene
Record co./Cat # Contemporary/OJC 164-2
Release Year 1957
Note Birthday: WK 12.2.1931
09:24 PM
Bye Bye Blackbird
Artist Name Miles Davis
Composer M. Dixon-R. Henderson
Soloists Miles Davis-Trumpet ; Hank Mobley-Tenor Sax ; Wynton Kelly-Piano
; Paul Chambers-Bass ; Jimmy Cobb-Drums
CD/Album In Person At The Blackhawk, Complete
Record co./Cat # Columbia/Legacy 87106
Release Year 1961
Note Birthday: WK 12.2.1931
09:34 PM
Stars Fell On Alabama
Artist Name Cannonball Adderley
Soloists Cannonball Adderley-Alto Sax ; Wynton Kelly-Piano
CD/Album Jazz Masters 31
Record co./Cat # Verve 314 522 651-2
Release Year 1959
Note Birthday: WK 12.2.1931
09:42 PM
Pfrancing
Artist Name Miles Davis
Composer Miles Davis
Soloists Miles Davis-Trumpet ; Wynton Kelly-Piano ; John Coltrane, Hank
Mobley-Tenor Sax
CD/Album Someday My Prince Will Come
Record co./Cat # Columbia 40947
Release Year 1961
Note Birthday: WK 12.2.1931
09:50 PM
Decision
Artist Name Sonny Rollins
Composer Sonny Rollins
Soloists Sonny Rollins-Tenor Sax ; Wynton Kelly-Piano ; Max Roach-Drums ;
Donald Byrd-trumpet
CD/Album Volume One
Record co./Cat # Blue Note Records 7-81542-2
Release Year 1956
Note Birthday: WK 12.2.1931
------------------------------------------------------------------
Jazz In The Evening with George Thomas
Vermont Public Radio
365 Troy Ave
Colchester, VT 05446
802-654-4343
jazz at vpr.net
www.vpr.net
Mon-Thu 8-10pm,Fri 9pm-mid
--
Scanned by MailScanner
Unconscious Desires
2 December 2008
6pm
Hazard Project--Flipmode Flute--Liquid Lounge
Amina Figarova--Chicago Split--Above the Clouds
Marc Ford--Don't Get Me Killed--The Neptune Blues Club
J.B. Hutto--Hip Shakin'--Stompin' at Mother Blues
Peter Tosh--Johnny B. Goode--Mama Africa
Carlinhos Brown w/ Tata Monale--Aguaxire/Saleromi--Brazil
Funky Mustard--Caribe Azul--Jazza Mundo
Dan Cavanagh--Pulse--Pulse
Raphael Weiss & Alex Schultz--It's Your Thing--Don't Be Afraid to
Groove
Bill Heid--Macduff Type Thang--Asian Persuasion
7pm
Rick James--Bustin' Out (On Funk)--Anthology
Will Bernard--Blue Plate Special--Blue Plate Special
Susan Tedeschi--Talking About--Back To the River
Cindy Blackman--In the Now--In the Now
Terakaft--Tenere Wer Tat Zinchegh--Akh Issudar
Thievery Corporation--Mandala--Radio Retaliation
Wave Mechanics Union--Istanbul (Not Constantinople)--Second Season
New York Electric Piano--Temple Tantrum--King Mystery
Tortoise--Swung From the Gutters--TNT
Bill Cunliffe--Stolen Moments--The Blues and the Abstract Truth, Take 2
8pm
Tangerine Dream--Lady Monk--Booster
Russell Gunn--Ghandi's Love--Love Stories
EG Kight--Then There's the Truth--It's Hot in Here
Chris Thomas King--Cain--Blind Pig Records 25th Anniversary Collection
Femi Kuti--Demo Crazy--Day By Day
Sean Noonan--Big Mouth--Boxing Dreams
Ofer Assaf--Tangible Reality--Tangible Reality
The Stryker/Slagle Band--Strikology--The Scene
9pm
Deus Ex Machina--La Diversita de Avere un'Anima--Imparis
George Duke--Mercy--Dukey Treats
Gary Moore--Someday Baby--Bad For You Baby
Sloleak--Some Stones--New Century Blues
Gerald Pino--Heavy,Heavy,Heavy--Afro-Rock, Vol.1
Liquid Liquid--Cavern--Successive Reflexes
Jared Gold--The Nest--Solids & Strips
Mark Masters Ensemble--i-pimp--Farewell Walter Dewey Redman
Christian Scott--Rewind That--Live at Newport
Kevin Foley Ariente
KSJS 90.5 FM
Unconscious Desires
Funk/Jazz/Blues/World/Beyond
Tuesdays 6-10 pm
408-924-KSJS (request line)
kevin at ksjs.org
_____________________________________________________________
Listen to the best college radio station over the air and on the net --->
http://www.ksjs.org and 90.5FM
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