[JPL] Airplay Ethics Question

Sun Apr 26 14:27:12 EDT 2009

 i dont see an issue with a musician/dj spinning their own recording(s) as long as it is not clearly an inappropriate amount of exposure.
jae's GM makes a good point. there is added credibility that a musician can bring to their program, so long as they dont become too technical with their comments.

ricky schultz

-----Original Message-----
From: jaejazz at yahoo.com
To: jazzproglist at jazzweek.com
Sent: Sun, 26 Apr 2009 9:35 am
Subject: Re: [JPL] Airplay Ethics Question

This week's sponsor: RESONANCE RECORDS

GOING FOR ADDS NOW!

what?: GETTIN' BLAZED, the stellar US debut of Hammond B-3 ace JERMAINE 
LANDSBERGER 

why? ''In the evolution of any instrument, there's only a handful who are really 
innovative. This guy's one of them. Jermaine Landsberger is a formidable artist, 
a master with the flame!'' - Pat Martino

why? JERMAINE LANDSBERGER's GETTIN' BLAZED makes a fast debut onto the JazzWeek 
chart @ 49*
why? Already on Thirty-Two (32) stations in just its 2nd week!

This great album features a rare guest appearance by Pat Martino + James Genus, 
Harvey Mason, Andreas Oberg & Gary Meek. Full of radio friendly tracks like 
''Sno Peas'' and ''Filthy McNasty''

PLEASE AUDITION  jermaine landsberger gettin' blazed NOW IF YOU HAVENT YET

Be looking for one of this year's greatest releases, up next from Resonance:
      RESONANCE BIG BAND plays tribute to OSCAR PETERSON
                           introducing Marian Petrescu

this is something really special, a proper homage to a true jazz giant.

and a quick note to let you know Bill Cunliffe's The Blues and The Abstract 
Truth, Take 2
sold out 2 shows at New York's Jazz Standard, Claudio Roditi and Christian Howes 
were guests.
                               (and WBGO spun the disc 16 X last week)

contact Eric Talbert (323) 556-0500 x 205

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

That's always a dilemma Tom. I didn't play my music the first five years I was 
hosting my show. Didn't have the guts to...even when listeners kept asking me 
to. Finally one day my boss at that time... and the one that hired me...said 
that it would bring an interesting kind of credibility to my show. She was very 
tuned in to educational presentations and always wanted me to open up more about 
the music on air. She looked at it as a plus that I was a also a musician. So I 
started to incorporate some of my music into the program. It turned out being a 
good thing for my show and I base this on the number of pledges we get for my 
CD's during the drives. Our new concert DVD was the second highest grossing 
program for the spring TV fundraiser.  

I'm very careful though in how much I play. Usually if we're doing a concert 
locally or the release is new or for our fundraisers I'll play more but 
otherwise very little.

The down side is that it potentially opens you up to criticism and as we all 
know there are plenty of critics in jazz...even when the criticism makes little 
sense. There won't be much of it though particularly if the music is good. At 
the beginning when I played my music some musicians felt it was giving me an 
unfair advantage in self promotion...completely ignoring the fact that I play 
their's too and even more than I play mine. And of course if their music isn't 
selling or folks aren't coming out to see them...it's our fault because we're 
not playing or promoting their music enough. The reasoning couldn't possibly be 
because no one wants to buy their music or come to see them play. Right. I've 
also noticed that most of the critics will listen to you but won't give you a 
dime when it comes fundraiser time but they want and actually expect things from 
us. For the most part the criticism comes from places that don't matter anyway 
and there wasn't much of
 it. Constructive and intelligent criticism is always welcomed though but that 
too is rare in jazz. HOpe that helps. 

Jae Sinnett? ???

--- On Sun, 4/26/09, Tom Bingham <mason2042 at gmail.com> wrote:

> From: Tom Bingham <mason2042 at gmail.com>
> Subject: [JPL] Airplay Ethics Question
> To: "Jazz Programmers Mailing List" <jazzproglist at jazzweek.com>
> Date: Sunday, April 26, 2009, 11:18 AM
> This week's sponsor: RESONANCE
> RECORDS
> 
> GOING FOR ADDS NOW!
> 
> what?: GETTIN' BLAZED, the stellar US debut of Hammond B-3
> ace JERMAINE LANDSBERGER 
>? 
> why? ''In the evolution of any instrument, there's only a
> handful who are really innovative. This guy's one of them.
> Jermaine Landsberger is a formidable artist, a master with
> the flame!'' - Pat Martino
>? 
> why? JERMAINE LANDSBERGER's GETTIN' BLAZED makes a fast
> debut onto the JazzWeek chart @ 49*
> why? Already on Thirty-Two (32) stations in just its 2nd
> week!
>? 
> This great album features a rare guest appearance by Pat
> Martino + James Genus, Harvey Mason, Andreas Oberg &
> Gary Meek. Full of radio friendly tracks like ''Sno Peas''
> and ''Filthy McNasty''
> 
> PLEASE AUDITION? jermaine landsberger gettin' blazed
> NOW IF YOU HAVENT YET
> 
> Be looking for one of this year's greatest releases, up
> next from Resonance:
> ? ? ? RESONANCE BIG BAND plays tribute to
> OSCAR PETERSON
> ? ? ? ? ? ? ? ?
> ? ? ? ? ???introducing
> Marian Petrescu
> ? ? ???
> this is something really special, a proper homage to a true
> jazz giant.
> 
> and a quick note to let you know Bill Cunliffe's The Blues
> and The Abstract Truth, Take 2
> sold out 2 shows at New York's Jazz Standard, Claudio
> Roditi and Christian Howes were guests.
> ? ? ? ? ? ? ? ?
> ? ? ? ? ? ?
> ???(and WBGO spun the disc 16 X last week)
>? 
> contact Eric Talbert (323) 556-0500 x 205
> 
> ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
> 
> 
> 
> I have a question regarding the ethics of my giving airplay
> to playing a CD
> in which I have some small involvement. Since there are
> DJ's on this list
> who are also musicians with their own CD's and other DJ's
> who are also
> involved in radio promotion, I'm sure some of you have
> encountered this
> dilemma before - if indeed it is dilemma.
> 
> The student-run big band, the Fredonia Jazz Ensemble, is
> about to release a
> new CD. I happen to be one of the Faculty Advisers for the
> band (the other
> being ex-Ferguson, ex-Herman bari saxman Bruce Johnstone,
> who guest solos on
> the CD). This is a voluntary, unpaid position, which
> essentially amounts to
> affixing my signature to purchase orders, rehearsal room
> reservation slips,
> etc. (In other words, I have no creative input into the
> music, personnel
> matters, etc.) I also contributed the liner notes to the
> new CD, for which I
> donated my services. In other hands, I have no monetary
> involvement in this
> project, and do not stand to make any financial gain from
> it.
> 
> Given these circumstances, are there any ethical problems
> involved with my
> spinning a track or two from the CD on "General Eclectic"?
> Or am I creating
> a quandary for myself where none exists? Any responses will
> be very much
> appreciated.
> 
> Thank you.
> 
> -- 
> Tom Bingham
> "General Eclectic"
> WCVF-FM
> 115 McEwen Hall
> SUNY Fredonia
> Fredonia, NY 14063
> USA
> http://genecdvd.blogspot.com
> http://blog.myspace.com/mason2042 - "General Eclectic"
> playlist archive
> --
> 
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