No. 1 on the JazzWeek Jazz Chart for a second week and again most reported (62 stations) is Dave Stryker Eight Track III (Strikezone). Most added (+32) is Tierney Sutton Band Screen Play (BFM Jazz). Biggest mover (+79) is Wayne Alpern Skeleton (Self-Released). Highest debut is Larry Koonse New Jazz Standards, Vol. 4 (Summit).
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May 27: Dave Stryker is No. 1
No. 1 on the JazzWeek Jazz Chart and most reported (60 stations) is Dave Stryker Eight Track III (Strikezone). Biggest mover (+83) and highest debut (No. 15) is Mary Stallings Songs Were Made to Sing (Smoke Sessions). Most added (+33) is Nicki Parrott From New York to Paris (Arbors).
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May 20: Eric Reed is No. 1
No. 1 on the JazzWeek Jazz Chart and most reported (60 stations) is Eric Reed Everybody Gets the Blues (Smoke Sessions). Most added (+39) and biggest mover (+111) is Mary Stallings Songs Were Made to Sing (Smoke Sessions). Highest debut (No. 37) is Josh Lawrence Triptych (Posi-Tone).
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May 13: Fourth week at No. 1 for Herlin Riley
No. 1 on the JazzWeek Jazz Chart for a fourth week is Herlin Riley Perpetual Optimism (Mack Avenue). It’s tied for most reported (57 stations) with Eric Reed Everybody Gets the Blues (Smoke Sessions). Most added (+31) is Greg Abate Gratitude: Stage Door Live at the Z (Whaling City Sound). Biggest mover (+119) and highest debut (No. 21) is Dave Stryker Eight Track III (Strikezone).
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May 6: Three weeks at No. 1 for Herlin Riley
No. 1 on the JazzWeek Jazz Chart for a third week and most-reported (61 stations) is Herlin Riley Perpetual Optimism (Mack Avenue). Biggest mover (+91) is Holly Cole Holly (Shanachie Entertainment). Most added (+29) is Dave Stryker Eight Track III (Strikezone). Highest debut (No. 38) is Ulysses Owens, Jr. Songs Of Freedom (Resilience Music Alliance).
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April 29: 2nd week at No. 1 for Herlin Riley
No. 1 on the JazzWeek Jazz Chart and most-reported (63 stations) for a second week is Herlin Riley Perpetual Optimism (Mack Avenue). Biggest mover (+75) and highest debut (No. 38) is Wynton Marsalis Bolden (Original Soundtrack) (Blue Engine). Most added (+25) is Bonerama Plays Zeppelin (Basin Street).
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April 22: Herlin Riley is No. 1
No. 1 on the JazzWeek Jazz Chart and most-reported (62 stations) is Herlin Riley Perpetual Optimism (Mack Avenue). Biggest mover (+85) and highest debut (No. 20) is Eric Reed Everybody Gets the Blues (Smoke Sessions). Most added (+23) is Ulysses Owens, Jr. Songs Of Freedom (Resilience Music Alliance).
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April 15: 5th week at No. 1 for Catherine Russell
No. 1 on the JazzWeek Jazz Chart for a fifth straight week is Catherine Russell Alone Together (Dot Time). Biggest mover (+107) and most added (+34) is Eric Reed Everybody Gets the Blues (Smoke Sessions). Highest debut (No. 20) is Betty Carter The Music Never Stops (Blue Engine). Most reported (60 stations) is Branford Marsalis Quartet The Secret Between the Shadow and the Soul (OKEH).
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April 8: 4 weeks at No. 1 for Catherine Russell
No. 1 on the JazzWeek Jazz Chart for a fourth consecutive week is Catherine Russell Alone Together (Dot Time). Biggest mover (+103) and most added (+35) is Betty Carter The Music Never Stops (Blue Engine). Highest debut (No. 21) Five Play Live From The Firehouse Stage (Diva Jazz Orchestra, Ltd.) Most reported (62 stations) is Herlin Riley Perpetual Optimism (Mack Avenue).
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April 1: 3rd week at No. 1 for Catherine Russell
No. 1 on the JazzWeek Jazz Chart for a third week is Catherine Russell Alone Together (Dot Time). Biggest mover (+102) and highest debut (No. 10) is Herlin Riley Perpetual Optimism (Mack Avenue). Three releases are tied for most added (+15): Joe Finn Trio +1 Generational Dynamics (JFP), Patrice Jégou If It Ain’t Love (Prairie Star), and Allison Miller’s Boom Tic Boom Glitter Wolf (Royal Potato Family). Most reported (59 stations) is Steve Davis Correlations (Smoke Sessions).
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